Essays in Zen Buddhism : $b First seriesSuzuki, Daisetz Teitaro
Religion
Essays in Zen Buddhism : $b First series
Suzuki, Daisetz Teitaro
Zen Buddhism
Some think that there is still an unknown region in our consciousness
which has not yet been thoroughly and systematically explored. It
is sometimes called the Unconscious or the Subconscious. This is a
territory filled with dark images, and naturally most scientists are
afraid of treading upon it. But this must not be taken as denying the
fact of its existence. Just as our ordinary field of consciousness
is filled with all possible kinds of images, beneficial and harmful,
systematic and confusing, clear and obscure, forcefully assertive and
weakly fading; so is the Subconscious a storehouse of every form of
occultism or mysticism, understanding by the term all that is known as
latent or abnormal or psychic or spiritualistic. The power to see into
the nature of one’s own being may lie also hidden there, and what Zen
awakens in our consciousness may be that. At any rate the masters speak
figuratively of the opening of a third eye. “Satori” is the popular
name given to this opening or awakening.
How is this to be effected?
By meditating on those utterances or actions that are directly poured
out from the inner region undimmed by the intellect or the
imagination, and that are calculated successfully to exterminate all
the turmoils arising from ignorance and confusion.[f7]
It may be interesting to readers in this connection to get acquainted
with some of the methods[f8] used by the masters in order to open the
spiritual eye of the disciple. It is natural that they frequently make
use of the various religious insignia which they carry when going
out to the Hall of the Dharma. Such are generally the “hossu,”[f9]
“shippe,”[f10] “nyoi,”[f11] or “shujyo” (or a staff).[1.17] The
last-mentioned seems to have been the most favourite instrument used in
the demonstration of the truth of Zen. Let me cite some examples of its
use.
According to Yê-ryo (Hui-lêng), of Chōkei (Chang-ch‘ing),[1.18] “when
one knows what that staff is, one’s life study of Zen comes to an end.”
This reminds us of Tennyson’s flower in the crannied wall. For when we
understand the reason of the staff, we know “what God and man is,” that
is to say, we get an insight into the nature of our own being, and this
insight finally puts a stop to all the doubts and hankerings that have
upset our mental tranquillity. The significance of the staff in Zen can
thus readily be comprehended.
Public-domain text, read in full here on John Shaqi.
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