Essays in Zen Buddhism : $b First seriesSuzuki, Daisetz Teitaro
Religion
Essays in Zen Buddhism : $b First series
Suzuki, Daisetz Teitaro
Zen Buddhism
In the _Saddharma-puṇḍarīka Sūtra_, Chapter III., “A Parable,” the
Buddha gives the famous parable of three carts: bullock-carts,
goat-carts, and deer-carts, which a man promises to give to his
children if they come out of a house on fire. The finest of the carts
is the one drawn by bullocks or cows (_goratha_), which represents
the vehicle for the Bodhisattvas, the greatest and most magnificent
of all vehicles, leading them directly to the attainment of supreme
enlightenment. The cart is described thus in the Sutra: “Made of seven
precious substances, provided with benches, hung with a multitude of
small bells, lofty, adorned with rare and wonderful jewels, embellished
with jewel wreaths, decorated with garlands of flowers, carpeted with
cotton mattresses and woollen coverlets, covered with white cloth and
silk, having on both sides rosy cushions, yoked with white, very fair
and fleet bullocks, led by a multitude of men.”
Thus reference came to be made quite frequently in Zen literature to
the “white cow on the open-air square of the village,” or to the cow in
general. For instance, Tai-an of Fu-chou asked Pai-chang,[8.4] “I wish
to know about the Buddha, what is he?” Answered Pai-chang, “It is like
seeking for an ox while you are yourself on it.” “What shall I do after
I know?” “It is like going home riding on it.” “How do I look after
it all the time in order to be in accordance with [the Dharma]?” The
master then told him, “You should behave like a cowherd, who, carrying
a staff, sees to it that his cattle won’t wander away into somebody
else’s rice-fields.”
The “Ten Cow-herding Pictures” showing the upward steps of spiritual
training, is doubtless another such instance, more elaborate and
systematised than the one just cited.
THE TEN STAGES OF SPIRITUAL COW-HERDING[f165]
I
[Illustration: Drawing of a person on rural path]
_face p. 357_
_Looking for the Cow._ She has never gone astray, and what is the use
of searching for her? We are not on intimate terms with her because
we have contrived against our inmost nature. She is lost, for we have
ourselves been led out of the way through the deluding senses. The home
is growing farther away, and byways and crossways are ever confusing.
Desire for gain and fear of loss burn like fire; ideas of right and
wrong shoot up like a phalanx.
Alone in the wilderness, lost in the jungle, he is searching,
searching!
The swelling waters, far-away mountains, and unending path;
Exhausted and in despair, he knows not where to go,
He only hears the evening cicadas singing in the maplewoods.
II
[Illustration: Drawing of a person on rural path searching]
_face p. 358_
Public-domain text, read in full here on John Shaqi.
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