Essays of an Americanist: I. Ethnologic and Archæologic. II. Mythology and Folk Lore. III. Graphic Systems and Literature. IV. Linguistic.Brinton, Daniel G. (Daniel Garrison)
Philosophy
Essays of an Americanist: I. Ethnologic and Archæologic. II. Mythology and Folk Lore. III. Graphic Systems and Literature. IV. Linguistic.
Brinton, Daniel G. (Daniel Garrison)
America -- Antiquities; Indians
The general line of advance I have indicated shows, wherever we can
trace it, many similarities—similarities not necessarily dependent on an
ancient intercourse, but simply because primitive man felt everywhere
the same wants, and satisfied them in pretty much the same manner. He
felt the need of defence and attack, and everywhere a stick and a stone
offered themselves as the handiest and most effective weapons; he used
both wherever he was, and adapted them to like shapes.
In casting about for some standard wherewith to measure the long
progress from this simple beginning to the present day, antiquaries have
hit upon a very excellent one—the choice of a material employed at any
given epoch for obtaining a cutting edge—for manufacturing _l’instrument
tranchant_. Man conquers nature as he does his enemy—by cutting her
down. The world at present uses iron, or its next product steel, for
that purpose; before it came into vogue many nations employed bronze;
but in the earliest periods of man’s history, and to-day in some savage
tribes, stone was the substance almost exclusively wrought for this
purpose. These distinctions divide the progress of man into the three
great periods; the Age of Iron, the Age of Bronze, and the Age of Stone.
Do not make the mistake of supposing that the remains of human art
reveal this sequence in every locality; I have already hinted that this
is not the case. And do not make that other mistake of supposing that
all three are found in chronologic sequence over the whole world. On the
contrary, they are synchronous even to-day, as there are now tribes in
Brazil in the Age of Stone and nations in Asia in the Age of Bronze. The
word “Age” in this connection does not mean a definite period of time,
but a recognized condition of art.
In Western Europe, however, where these terms originated, the three Ages
were chronologic. Previous to about two thousand years before the
Christian era, all the nations in that region employed stone exclusively
to manufacture their cutting implements; later, bronze was preferred for
the same purpose; and still later, iron. I say “preferred,” for do not
imagine that the implement of stone or of bronze was straightway
discarded when the better material was learned. We know that stone
battle-axes were used in Ireland and Germany down to the tenth century,
and bronze was employed by Romans and Egyptians long after they became
acquainted with iron.
Each of these three Ages has various subdivisions. Those of the Age of
Stone are particularly important. They are two, based upon the manner in
which the stone was brought to an edge. All the specimens in
geologically the oldest deposits have been brought to an edge by a
process of chipping off small pieces, so as to produce a sharp line or
crest on a part or the whole of the border of the stone. This artificial
process leaves such peculiar traces that a practiced eye cannot confound
it with any accidental chipping which natural means effect.
Public-domain text, read in full here on John Shaqi.
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