“I place myself before the master of the gods; I reach the divine abode; I raise myself as a living god; I shine among the gods of heaven; I am become as one of you, O ye gods. I witness the progress of the holy stars. I cross the river Nun. I am not far removed from the fellowship of the gods. I eat of the food of the gods. I sit among them. I am invoked as a divine being; I hear the prayers offered to me; I enter the boat of the sun; my soul is not far from its lord. Hail to thee, Osiris! Grant that I sail joyously to the west, that I be received by the lords of the west; that they say to me, ‘Adoration, adoration and peace be thine;’ and that they prepare a place for me near to the chief of chiefs divine.” Through the rhetoric of this mystic rhapsody we see that the soul goes to the abode of Osiris, is judged and tested as to its merits, and if approved crosses in safety the river Nun and becomes as one of the gods themselves; a companion of Osiris and Ra. Such, in broad outline, was the orthodox Egyptian doctrine. There was a vast amount of accessory matter and mysticism added to this simple statement, but the foundation is always the same. To one or two points I will call attention for later reference in this paper. In the 13th Chapter of the “Book of the Dead,” the defunct is supposed to repeat the following formula: “I arrive as a hawk, I depart as a phenix. I am the God of the morning. I have finished the journey and worshipped the sun in the lower world. Heavily braided is the hair of Osiris. I am one of the dogs of Horus. I have finished the journey and worshipped Osiris.” The reference to the hair of Osiris and the transformation of the soul into a dog, are incidents to which I shall refer in another connection. Another interesting fact is the frequent recurrence of the numbers four and eight in the Egyptian theories of the spiritual world. In the 16th Chapter of the “Book of the Dead,” it is prescribed that four pictures as set forth should be painted on the sarcophagus, in order that the soul may pass through the four apertures of the sky. The chapter identifies these with the cardinal points from which blow the four winds. In chapter 17, which is one of the oldest texts in the book, reference is made to the eight gods of Hermapolis; elsewhere the number is mentioned. This illustrates the easy transfer of the plan of terrestrial geography to that of the spiritual world. Passing now to the mythology of the Aryan nations, we find that the three great cycles of its poetry, the Indian, the Greek, and the Norse, agree closely in their opinions of the destination of the soul.