he part with nothing? Why does he not give?" And I should take it for a favour that men would expect from me no greater effects of supererogation than these. But they are unjust to exact from me what I do not owe, far more rigorously than they require from others that which they do owe. In condemning me to it, they efface the gratification of the action, and deprive me of the gratitude that would be my due for it; whereas the active well-doing ought to be of so much the greater value from my hands, by how much I have never been passive that way at all. I can the more freely dispose of my fortune the more it is mine, and of myself the more I am my own. Nevertheless, if I were good at setting out my own actions, I could, peradventure, very well repel these reproaches, and could give some to understand, that they are not so much offended, that I do not enough, as that I am able to do a great deal more than I do. Yet for all this heavy disposition of mine, my mind, when retired into itself, was not altogether without strong movements, solid and clear judgments about those objects it could comprehend, and could also, without any helps, digest them; but, amongst other things, I do really believe, it had been totally impossible to have made it to submit by violence and force. Shall I here acquaint you with one faculty of my youth? I had great assurance of countenance, and flexibility of voice and gesture, in applying myself to any part I undertook to act: for before-- "Alter ab undecimo tum me vix ceperat annus," ["I had just entered my twelfth year."--Virgil, Bucol., 39.] I played the chief parts in the Latin tragedies of Buchanan, Guerente, and Muret, that were presented in our College of Guienne with great dignity: now Andreas Goveanus, our principal, as in all other parts of his charge, was, without comparison, the best of that employment in France; and I was looked upon as one of the best actors. 'Tis an exercise that I do not disapprove in young people of condition; and I have since seen our princes, after the example of some of the ancients, in person handsomely and commendably perform these exercises; it was even allowed to persons of quality to make a profession of it in Greece. "Aristoni tragico actori rem aperit: huic et genus et fortuna honesta erant: nec ars, quia nihil tale apud Graecos pudori est, ea deformabat." ["He imparted this matter to Aristo the tragedian; a man of good family and fortune, which neither of them receive any blemish by that profession; nothing of this kind being reputed a disparagement in Greece."--Livy, xxiv. 24.]