Essays of Robert Louis Stevenson: Selected and Edited With an Introduction and Notes by William Lyon PhelpsStevenson, Robert Louis
General
Essays of Robert Louis Stevenson: Selected and Edited With an Introduction and Notes by William Lyon Phelps
Stevenson, Robert Louis
Essays
with being set against the wind, and how, dropping suddenly over the
edge of the down, I found myself in a new world of warmth and shelter.
The wind, from which I had escaped, "as from an enemy,"[20] was
seemingly quite local. It carried no clouds with it, and came from
such a quarter that it did not trouble the sea within view. The two
castles, black and ruinous as the rocks about them, were still
distinguishable from these by something more insecure and fantastic in
the outline, something that the last storm had left imminent and the
next would demolish entirely. It would be difficult to render in words
the sense of peace that took possession of me on these three
afternoons. It was helped out, as I have said, by the contrast. The
shore was battered and bemauled by previous tempests; I had the memory
at heart of the insane strife of the pigmies who had erected these two
castles and lived in them in mutual distrust and enmity, and knew I
had only to put my head out of this little cup of shelter to find the
hard wind blowing in my eyes; and yet there were the two great tracts
of motionless blue air and peaceful sea looking on, unconcerned and
apart, at the turmoil of the present moment and the memorials of the
precarious past. There is ever something transitory and fretful in the
impression of a high wind under a cloudless sky; it seems to have no
root in the constitution of things; it must speedily begin to faint
and wither away like a cut flower. And on those days the thought of
the wind and the thought of human life came very near together in my
mind. Our noisy years did indeed seem moments[21] in the being of the
eternal silence: and the wind, in the face of that great field of
stationary blue, was as the wind of a butterfly's wing. The placidity
of the sea was a thing likewise to be remembered. Shelley speaks of
the sea as "hungering for calm,"[22] and in this place one learned to
understand the phrase. Looking down into these green waters from the
broken edge of the rock, or swimming leisurely in the sunshine, it
seemed to me that they were enjoying their own tranquillity; and when
now and again it was disturbed by a wind ripple on the surface, or the
quick black passage of a fish far below, they settled back again (one
could fancy) with relief.
On shore, too, in the little nook of shelter, everything was so
subdued and still that the least particular struck in me a pleasurable
surprise. The desultory crackling of the whin-pods[23] in the
afternoon sun usurped the ear. The hot, sweet breath of the bank, that
had been saturated all day long with sunshine, and now exhaled it into
my face, was like the breath of a fellow-creature. I remember that I
was haunted by two lines of French verse; in some dumb way they seemed
to fit my surroundings and give expression to the contentment that was
in me, and I kept repeating to myself--
"Mon coeur est un luth suspendu,[24]
Sitôt qu'on le touche, il résonne."
Public-domain text, read in full here on John Shaqi.
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