One evening she was in difficulties about the quarantine, which was
enforced that year on the Italian frontier. The local doctor had gone
down that morning to see the Italian doctor and arrange some details.
"Then, perhaps, my dear," she said to her husband, "he is the
quarantine." "No, my love," replied her husband. "The quarantine is not
a person, it is a place where they put people"; but she would not be
comforted, and suspected the quarantine as an enemy that might at any
moment pounce out upon her and her parrots. So a lady told me once that
she had been in like trouble about the anthem. She read in her prayer-
book that in choirs and places where they sing "here followeth the
anthem," yet the person with this most mysteriously sounding name never
did follow. They had a choir, and no one could say the church was not a
place where they sang, for they did sing--both chants and hymns. Why,
then, this persistent slackness on the part of the anthem, who at this
juncture should follow her papa, the rector, into the reading-desk? No
doubt he would come some day, and then what would he be like? Fair or
dark? Tall or short? Would he be bald and wear spectacles like papa, or
would he be young and good-looking? Anyhow, there was something wrong,
for it was announced that he would follow, and he never did follow;
therefore there was no knowing what he might not do next.
I heard of the parrots a year or two later as giving lessons in Italian
to an English maid. I do not know what their terms were. Alas! since
then both they and their mistress have joined the majority. When the
poor lady felt her end was near she desired (and the responsibility for
this must rest with her, not me) that the birds might be destroyed, as
fearing that they might come to be neglected, and knowing that they could
never be loved again as she had loved them. On being told that all was
over, she said, "Thank you," and immediately expired.
Public-domain text, read in full here on John Shaqi.
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