De Morgan's novels that shows
more effort than inspiration.
The style in these books, despite constant quotation, is not at all a
literary style. Joseph Vance is called "an ill-written autobiography,"
because it lacks entirely the conventional manner. Many works of fiction
are composed in what might be called the terminology of the art; just as
works in science and in sport are compelled to repeat constantly the
same verbal forms. The astonishing freshness and charm of Mr. De
Morgan's method consist partly in his abandonment of literary precedent,
and adhering only to actual observation. It is as though an actor on the
stage should suddenly drop his mannerism of accent and gesture, and
behave as he would were he actually, instead of histrionically, happy or
wretched. Despite the likeness to Dickens in characters and atmosphere,
_Joseph Vance_ sounds not only as though its author had never written a
novel previously, but as though he had never read one. It has the
strangeness of reality. There is no lack of action in these huge
narratives: the men and women pass through the most thrilling incidents,
and suffer the greatest extremes of passion, pain, and joy that the
human mind can endure. We have three cases of drowning, one tremendous
fire; and in _Somehow Good_--which, viewed merely as a story, is the
best of them--a highly eventful plot; and, spiritually, the characters
give us an idea of how much agony the heart can endure without quite
breaking. But though the bare plot seems almost like melodrama, the
style is never on stilts. In the most awful crises, the language has the
absolute simplicity of actual circumstance. When Rosalind recognises her
husband in the cab, we wonder why she takes it so coolly. Some sixty
pages farther along, we come upon this paragraph:--
"Nevertheless, these were not so absolute that her demeanour
escaped comment from the cabby, the only witness of her first sight
of the 'electrocuted' man. He spoke of her afterwards as that
squealing party down that sanguinary little turning off Shepherd's
Bush Road he took that sanguinary galvanic shock to."
Public-domain text, read in full here on John Shaqi.
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