The second and third courses of lectures (printed, like the first, and translated into German by Strodtmann) dealt with "The Literature of the French Emigres" and "The Reaction in France." Here the critic is less unsympathetic, not because he regards the mental attitude of the fugitives from the Revolution with approbation, but because he has an intellectual bias in favor of everything French. Besides having a certain constitutional sympathy with the clearness and vigor of style and thought which distinguish the French, Dr. Brandes is so largely indebted to French science, philosophy, and art that it would be strange if he did not betray an occasional _soupcon_ of partisanship. His treatment of Chateaubriand, Benjamin Constant, Madame de Stael, Oberman, Madame de Kruedener, and all the queer saints and scribbling sinners of that period is as entertaining as it is instructive. It gives one the spiritual complexion of the period in clear lines and vivid colors, which can never be forgotten. Nearly all that makes France France is to be found in these volumes--its wit, its frivolity, its bright daylight sense, contrasting so strikingly with the moonshiny mysticism of German romanticism. And yet France has its romanticism too, which finds vent in a supercredulous religiosity, in a pictorial sentimentalized Christianity, such as we encounter in Chateaubriand's "Genie du Christianisme" and "Les Martyrs." It is with literary phenomena of this order that "The Reaction in France" particularly deals.