Essays on the Greek RomancesHaight, Elizabeth Hazelton
History
Essays on the Greek Romances
Haight, Elizabeth Hazelton
Apuleius. Metamorphoses; Greek fiction -- History and criticism
Gildersleeve was probably right in calling the _True History_ “a comic
sequel to a brilliant essay entitled ‘How to write History.’”[319] The
traditional manuscript order which places the _True History_ after _How
History Should Be Written_ seems so aptly prompted by Lucianic irony.
For this romance in two books is not history at all and has nothing of
Lucian’s primary requirement for history, that it should be true! It is
a work of pure imagination, one of the earliest accounts of fictitious
voyages and as such is part of the great tradition from the Odyssey to
_Gulliver’s Travels_.[320] Lucian’s preface explains both the nature of
the piece and his reasons for writing it.[321]
The _True History_ like many good stories is told in the first person by
Lucian himself. The author, moreover, preludes and interrupts the
narrative to get in direct touch with his reader. In his introduction,
he states that his purpose in writing is to furnish to students some
reading that will give relaxation, but at the same time “a little food
for thought.” The story is bound to charm, Lucian thinks, because of the
novelty of the subject, the humor of the plan, the plausible lying
involved and the comical parodies of such authors as Ctesias, Iambulus,
and Homer in his Odyssey. Lucian confesses to being a liar with the best
of them, but affirms that his lying is unique in being honest because he
admits it.
“Be it understood, then, that I am writing about things which I have
neither seen nor had to do with nor learned from others—which, in
fact, do not exist at all and, in the nature of things, cannot exist.
Therefore my readers should on no account believe in them.”[322]
In spite of this confession, Lucian here and there in his story tries to
create an atmosphere of veracity by protestations of it. As he never saw
the Corn Sparrow forces or the Crane Knights, he does not venture to
relate the marvellous and incredible stories told about them.[323] When
he describes the magic mirror over a well in the Moon which furnished
him television of his family and country he says that disbelievers by
going there will find he tells the truth.[324] In the Island of the
Wicked, Lucian finds all liars, both those who had told lies on earth or
written them, among the latter Ctesias and Herodotus. “On seeing them,”
he says, “I had good hopes for the future, for I have never told a lie
that I know of.”[325] The last sentence of the romance is: “What
happened in the other world I shall tell you in the succeeding
books.”[326] This, a Greek scholiast comments, is the greatest lie of
all!
Public-domain text, read in full here on John Shaqi.
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