Essays on the Greek RomancesHaight, Elizabeth Hazelton
History
Essays on the Greek Romances
Haight, Elizabeth Hazelton
Apuleius. Metamorphoses; Greek fiction -- History and criticism
Now after having seen what a wag Lucian is from his own words, we must
decide how we are going to take him. Are we to seek in him relaxation
and entertainment (the gift of all true romance) or are we going to
marshal our “little learning” to meet his and study all his sources, his
parodies of historians and philosophers, or search for allegories in his
fantastic worlds? The happy way will be along the path of the golden
mean. Gildersleeve put up a sign-board to it and inscribed directions
for future travellers.
“To enjoy the show properly, it is far better for the reader to give
himself up to this play of Lucian’s fancy than to endeavor to unriddle
whatever satire of contemporary literature may lie concealed in its
allegory.... There may be profound meaning in the war which breaks out
between the Sunburghers under Phaêthon, and the Moonburghers under
Endymion, which begins with the attempt of the Moonburghers to found a
colony on the desert planet of Lucifer, and which ends with the
victory of the Sunburghers, Lucifer being declared common property and
the vanquished compelled to pay an annual tribute of ten thousand
_amphoreis_ of dew. But so elastic are all such allegories that they
can be stretched to fit anything, and the war of these Heliotes and
Selenites would answer to describe the conflict between orthodoxy and
rationalism, and Lucifer would stand for the coming man. But how much
better to look with childish interest on the marshalling of
Horsevultures and Chickpeashooters and Garlickfighters and
Flea-archers and Wind-runners, and to watch the huge spiders spin
their web from the moon to Lucifer.”[327]
So after realizing that we too may visit the Isles of the Blessed and
the Wicked, may soar up to Aristophanes’ Cloudcuckooland or dive under
the sea in the brother of Jonah’s whale, or see Sinbad’s roc, let us
begin at the beginning. Let the lights go out and the curtain go up. Let
us watch breathlessly an ancient Walt Disney fantasy rush across the
screen. The very names of countries and peoples add to the excitement as
the panorama unrolls. And so vivid are Lucian’s descriptions that as in
all good movies soon we find ourselves participating in his adventures.
Having set out from the Pillars of Hercules with fifty men on a good
ship, on the eightieth day we come to a wooded island. Here huge
footprints and an inscription reveal that Hercules and Dionysus were
here before us. And no wonder, for this is the Isle of Wines:
grape-vines produce springs of wine, springs feed rivers, rivers produce
fish that eaten make people drunk. And there is a species of vine that
is half grape and half lady like Daphne turning into a laurel and the
kiss of the Vine-woman brings intoxication and her embrace is a prison.
We lost two of our men to that captivity.
Public-domain text, read in full here on John Shaqi.
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