Essays on the Greek RomancesHaight, Elizabeth Hazelton
History
Essays on the Greek Romances
Haight, Elizabeth Hazelton
Apuleius. Metamorphoses; Greek fiction -- History and criticism
My writing has been greatly facilitated by the cooperation of the staff
of the Vassar Library, especially of Miss Fanny Borden, Librarian, who
has provided me with a study in the Library, patiently borrowed many
books from other libraries for me and shown unfailing interest in my
work. A constant stimulus to my writing has been the appreciation of my
colleagues and students expressed in invitations to read different
chapters of this volume to the Classical Journal Club and to the
Classical Society. Finally my profound gratitude is due to the donors of
the funds which made possible the publication of these Essays.
_CONTENTS_
CHAPTER PAGE
I. The Greek Romances and Their Re-dating. 1
II. Chariton’s _Chaereas and Callirhoe_. 14
III. The _Ephesiaca_ or _Habrocomes and Anthia_ by Xenophon of
Ephesus. 38
IV. The _Aethiopica_ of Heliodorus. 61
V. _The Adventures of Leucippe and Clitophon_ by Achilles Tatius. 95
VI. _The Lesbian Pastorals of Daphnis and Chloe_ by Longus. 119
VII. Lucian and his Satiric Romances: the _True History_ and
_Lucius or Ass_. 144
VIII. A Comparison of the Greek Romances and Apuleius’
_Metamorphoses_. 186
Index 203
ESSAYS ON
THE GREEK ROMANCES
I
_THE GREEK ROMANCES AND THEIR RE-DATING_
The term “Greek Romances” is applied to long stories in Greek prose,
written from the end of the first to the beginning of the fourth century
before Christ and later imitated by Byzantine writers. It was one of
these last, Nicetas Eugenianus, who prefixed to his own romance a
prelude of verses which described their content:
“Here read Drusilla’s fate and Charicles’—
Flight, wandering, captures, rescues, roaring seas,
Robbers and prisons, pirates, hunger’s grip;
Dungeons so deep that never sun could dip
His rays at noon-day to their dark recess,
Chained hands and feet; and, greater heaviness,
Pitiful partings. Last the story tells
Marriage, though late, and ends with wedding bells.”[2]
Public-domain text, read in full here on John Shaqi.
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