The motion of the hands may be called a phenomenon of art, but the case is similar with the phenomena of nature. These also have their inner mechanism, and their store of force to set that mechanism going. The ultimate problem of physical science is to reveal this mechanism, to discern this store, and to show that from the combined action of both the phenomena of which they constitute the basis must of necessity flow. I thought that an attempt to give you even a brief and sketchy illustration of the manner in which scientific thinkers regard this problem would not be uninteresting to you on the present occasion; more especially as it will give me occasion to say a word or two on the tendencies and limits of modern science; to point out the region which men of science claim as their own, and where it is mere waste of time to oppose their advance, and also to define, if possible, the bourne between this and that other region to which the questionings and yearnings of the scientific intellect are directed in vain. But here your tolerance will be needed. It was the American Emerson, I think, who said that it is hardly possible to state any truth strongly without apparent injustice to some other truth. Truth is often of a dual character, taking the form of a magnet with two poles; and many of the differences which agitate the thinking part of mankind are to be traced to the exclusiveness with which partisan reasoners dwell upon one half of the duality in forgetfulness of the other half. The proper course appears to be to state both halves strongly, and allow each its fair share in the formation of the resultant conviction. But this waiting for the statement of the two sides of a question implies patience. It implies a resolution to suppress indignation if the statement of the one half should clash with our convictions, and to repress equally undue elation if the half-statement should happen to chime in with our views. It implies a determination to wait calmly for the statement of the whole, before we pronounce judgment in the form of either acquiescence or dissent. This premised, and, I trust, accepted, let us enter upon our task. There have been writers who affirmed that the pyramids of Egypt were the productions of nature; and in his early youth Alexander von Humboldt wrote a learned essay with the express object of refuting this notion. We now regard the pyramids as the work of men’s hands, aided probably by machinery of which no record remains. We picture to ourselves the swarming workers toiling at those vast erections, lifting the inert stones, and, guided by the volition, the skill, and possibly at times by the whip of the architect, placing them in their proper positions. The blocks in this case were moved and posited by a power external to themselves, and the final form of the pyramid expressed the thought of its human builder.