CLX. In this situation, what can the most resolute woman do? How can she resist two impulses, directed to the same point, one that impels, and the other which attracts her? If heaven does not stretch forth a powerful and a friendly hand to support her, her fall is inevitable. And if she does fall, who can deny that her own husband forced her over the precipice? If he had not treated her with indignity and abusive railing, the flattery of the lover would have been of no avail. It was his ill-treatment which occasioned her downfall. All this mischief, most frequently proceeds from the mean opinion, which married men are apt to entertain of the other sex. Let them renounce these erroneous maxims, and the consequence will be, that their wives will become more faithful and constant. Let them cherish and esteem them, for God has commanded they should love them; and I can’t understand, how love and contempt, with respect to the same object, can be entertained, and accommodate themselves together in one and the same heart. ON CHURCH MUSIC. SECT. I. I. In ancient times, if we believe Plutarch, music was used only in temples, and that afterwards it passed to theatres. Formerly, it served as an ornament to divine worship; afterwards, it was used to stimulate vice. Heretofore, the melody of sacred hymns only were heard; afterwards, we began to listen to profane songs. Music originally, was used as an obsequies to the Deities, it was afterwards applied to inflame the passions. In old times, it was dedicated to Apollo, but it seems as if afterwards, Apollo had divided the protection of this art with Venus; and as if to poison the soul, and paint on the theatres the charms of vice, the finest colourings of rhetoric, joined to the harmony of poetic numbers, were not sufficient, they, to render these charms more attracting, and make the venom more active, confectioned and compounded rhetoric, poetry, and music together.