LXXV. The different behaviour of some people at their first entrance into a room, and after their coming to engage in conversation with the company they find there, is very remarkable. At their first coming in, if the people they meet happen not to be such as they are pretty intimate with, they seem over and above complaisant, make most respectful congées, are very hyperbolical in their professions of attachment and esteem to every one they accost, and are very profuse of their offers to oblige and serve them; but after a little while, they begin to draw themselves up, to assume an air of gravity and consequence, and in all their words and actions, to behave as if they were vested with a senatorial, or legislative authority. Such a man begins to array himself with a habit of importance, and to appear on the theatre with an air of pomp and arrogance. He lays by the easy sock, and assumes the buskin. His _sol fa_ which commenced in a low tone in _e faut_, is raised in a very little time, to the highest note in _g solre_. His political stature grows to a gigantic size, and he begins to look down on all around him, and to treat all they say with that scorn and disdain, which is generated by, and lineally descended from rustic pride. LXXVI. Treating on this subject, brings to my mind a story which Moreri tells of Brunon, bishop of Langres, who in the beginning of one of his pastoral letters stiles himself _humilis præsul_, and afterwards in the body of it, assumes a majestic tone, and says, _nostram odiens majestatem_. Those who behave in this manner, must certainly lie under the delusion, that urbanity and modesty, were only calculated for exordiums, prologues, and salutations at peoples first meeting. SECT. XVII. _Speaking in a magisterial tone._ LXXVII. Among the professors of literature, there are not a few, who make themselves unpleasant companions, by assuming an overbearing and dictatorial manner. With them every place is a school, every chair a professional one, and all their auditors their pupils. Conceited, and full of themselves and their science, and big also with the dignity of their office and degrees, they look upon those who have not gone through the schools, as people of an inferior species, whom they scarce ever deign to speak to, but with a frowning brow, and a contemptuous look. They always talk in a dictatorial tone of voice, and express themselves with the majestic authority of an oracle, and in their conversation with other men, seem to exercise the power of a chapel master, who regulates the tone the whole band are to sing and play in.