Essays: Scientific, Political, & Speculative; Vol. 3 of 3: Library Edition (1891), Containing Seven Essays not before Republished, and Various other Additions.Spencer, Herbert
Philosophy
Essays: Scientific, Political, & Speculative; Vol. 3 of 3: Library Edition (1891), Containing Seven Essays not before Republished, and Various other Additions.
Spencer, Herbert
Philosophy; Political science; Science
Whoever has studied the physiognomy of political meetings, cannot
fail to have remarked a connexion between democratic opinions and
peculiarities of costume. At a Chartist demonstration, a lecture
on Socialism, or a _soirée_ of the Friends of Italy, there will be
seen many among the audience, and a still larger ratio among the
speakers, who get themselves up in a style more or less unusual.
One gentleman on the platform divides his hair down the centre,
instead of on one side; another brushes it back off the forehead, in
the fashion known as “bringing out the intellect;” a third has so
long forsworn the scissors, that his locks sweep his shoulders. A
sprinkling of moustaches may be observed; here and there an imperial;
and occasionally some courageous breaker of conventions exhibits a
full-grown beard.[1] This nonconformity in hair is countenanced by
various nonconformities in dress, shown by others of the assemblage.
Bare necks, shirt-collars _à la_ Byron, waistcoats cut Quaker fashion,
wonderfully shaggy great coats, numerous oddities in form and
colour, destroy the monotony usual in crowds. Even those exhibiting
no conspicuous peculiarity, frequently indicate by something in the
pattern of their clothes, that they pay small regard to what their {2}
tailors tell them about the prevailing taste. And when the gathering
breaks up, the varieties of head gear displayed—the number of caps,
and the abundance of felt hats—suffice to prove that were the world at
large like-minded, the black cylinders which tyrannize over us would
soon be deposed.
[1] This was written before moustaches and beards had become general.
Public-domain text, read in full here on John Shaqi.
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