Essays: Scientific, Political, & Speculative; Vol. 3 of 3: Library Edition (1891), Containing Seven Essays not before Republished, and Various other Additions.Spencer, Herbert
Philosophy
Essays: Scientific, Political, & Speculative; Vol. 3 of 3: Library Edition (1891), Containing Seven Essays not before Republished, and Various other Additions.
Spencer, Herbert
Philosophy; Political science; Science
Then consider what a blighting effect these {40} multitudinous
preparations and ceremonies have upon the pleasures they profess
to subserve. Who, on calling to mind the occasions of his highest
social enjoyments, does not find them to have been wholly informal,
perhaps impromptu? How delightful a pic-nic of friends, who forget
all observances save those dictated by good nature! How pleasant the
unpretending gatherings of small book-societies, and the like; or those
purely accidental meetings of a few people well known to each other!
Then, indeed, we may see that “a man sharpeneth the countenance of his
friend.” Cheeks flush, and eyes sparkle. The witty grow brilliant, and
even the dull are excited into saying good things. There is an overflow
of topics; and the right thought, and the right words to put it in,
spring up unsought. Grave alternates with gay: now serious converse,
and now jokes, anecdotes, and playful raillery. Everyone’s best nature
is shown; everyone’s best feelings are in pleasurable activity; and,
for the time, life seems well worth having. Go now and dress for some
half-past eight dinner, or some ten o’clock “at home;” and present
yourself in spotless attire, with every hair arranged to perfection.
How great the difference! The enjoyment seems in the inverse ratio of
the preparation. These figures, got up with such finish and precision,
appear but half alive. They have frozen each other by their primness;
and your faculties feel the numbing effects of the atmosphere the
moment you enter it. All those thoughts, so nimble and so apt awhile
since, have disappeared—have suddenly acquired a preternatural power
of eluding you. If you venture a remark to your neighbour, there comes
a trite rejoinder, and there it ends. No subject you can hit upon
outlives half a dozen sentences. Nothing that is said excites any real
interest in you; and you feel that all you say is listened to with
apathy. By some strange magic, things that usually give pleasure seem
to have lost all charm. You have a taste for art. Weary of frivolous
{41} talk, you turn to the table, and find that the book of engravings
and the portfolio of photographs are as flat as the conversation. You
are fond of music. Yet the singing, good as it is, you hear with utter
indifference; and say “Thank you” with a sense of being a profound
hypocrite. Wholly at ease though you could be, for your own part, you
find that your sympathies will not let you. You see young gentlemen
feeling whether their ties are properly adjusted, looking vacantly
round, and considering what they shall do next. You see ladies sitting
disconsolately, waiting for some one to speak to them, and wishing
they had the wherewith to occupy their fingers. You see the hostess
standing about the doorway, keeping a factitious smile on her face,
and racking her brain to find the requisite nothings with which to
greet her guests as they enter. You see numberless traits of weariness
Public-domain text, read in full here on John Shaqi.
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