the horizon and the blue sky for the background which save all our works
of art, which were otherwise bawbles. When the rich tax the poor with
servility and obsequiousness, they should consider the effect of men
reputed to be the possessors of nature, on imaginative minds. Ah! if
the rich were rich as the poor fancy riches! A boy hears a military
band play on the field at night, and he has kings and queens and famous
chivalry palpably before him. He hears the echoes of a horn in a
hill country, in the Notch Mountains, for example, which converts the
mountains into an Aeolian harp,--and this supernatural tiralira restores
to him the Dorian mythology, Apollo, Diana, and all divine hunters and
huntresses. Can a musical note be so lofty, so haughtily beautiful!
To the poor young poet, thus fabulous is his picture of society; he
is loyal; he respects the rich; they are rich for the sake of his
imagination; how poor his fancy would be, if they were not rich! That
they have some high-fenced grove which they call a park; that they live
in larger and better-garnished saloons than he has visited, and go in
coaches, keeping only the society of the elegant, to watering-places
and to distant cities,--these make the groundwork from which he
has delineated estates of romance, compared with which their actual
possessions are shanties and paddocks. The muse herself betrays her son,
and enhances the gifts of wealth and well-born beauty by a radiation
out of the air, and clouds, and forests that skirt the road,--a certain
haughty favor, as if from patrician genii to patricians, a kind of
aristocracy in nature, a prince of the power of the air.
The moral sensibility which makes Edens and Tempes so easily, may not be
always found, but the material landscape is never far off. We can
find these enchantments without visiting the Como Lake, or the Madeira
Islands. We exaggerate the praises of local scenery. In every landscape
the point of astonishment is the meeting of the sky and the earth,
and that is seen from the first hillock as well as from the top of the
Alleghanies. The stars at night stoop down over the brownest, homeliest
common with all the spiritual magnificence which they shed on the
Campagna, or on the marble deserts of Egypt. The uprolled clouds and the
colors of morning and evening will transfigure maples and alders. The
difference between landscape and landscape is small, but there is
great difference in the beholders. There is nothing so wonderful in any
particular landscape as the necessity of being beautiful under which
every landscape lies. Nature cannot be surprised in undress. Beauty
breaks in everywhere.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account