But it is very easy to outrun the sympathy of readers on this topic,
which schoolmen called natura naturata, or nature passive. One can
hardly speak directly of it without excess. It is as easy to broach in
mixed companies what is called "the subject of religion." A susceptible
person does not like to indulge his tastes in this kind without the
apology of some trivial necessity: he goes to see a wood-lot, or to look
at the crops, or to fetch a plant or a mineral from a remote locality,
or he carries a fowling-piece or a fishing-rod. I suppose this shame
must have a good reason. A dilettantism in nature is barren and
unworthy. The fop of fields is no better than his brother of Broadway.
Men are naturally hunters and inquisitive of wood-craft, and I suppose
that such a gazetteer as wood-cutters and Indians should furnish facts
for, would take place in the most sumptuous drawing-rooms of all the
"Wreaths" and "Flora's chaplets" of the bookshops; yet ordinarily,
whether we are too clumsy for so subtle a topic, or from whatever
cause, as soon as men begin to write on nature, they fall into euphuism.
Frivolity is a most unfit tribute to Pan, who ought to be represented
in the mythology as the most continent of gods. I would not be frivolous
before the admirable reserve and prudence of time, yet I cannot renounce
the right of returning often to this old topic. The multitude of false
churches accredits the true religion. Literature, poetry, science are
the homage of man to this unfathomed secret, concerning which no sane
man can affect an indifference or incuriosity. Nature is loved by what
is best in us. It is loved as the city of God, although, or rather
because there is no citizen. The sunset is unlike anything that is
underneath it: it wants men. And the beauty of nature must always seem
unreal and mocking, until the landscape has human figures that are
as good as itself. If there were good men, there would never be this
rapture in nature. If the king is in the palace, nobody looks at the
walls. It is when he is gone, and the house is filled with grooms and
gazers, that we turn from the people to find relief in the majestic men
that are suggested by the pictures and the architecture. The critics who
complain of the sickly separation of the beauty of nature from the
thing to be done, must consider that our hunting of the picturesque
is inseparable from our protest against false society. Man is fallen;
nature is erect, and serves as a differential thermometer, detecting
the presence or absence of the divine sentiment in man. By fault of our
dulness and selfishness we are looking up to nature, but when we are
convalescent, nature will look up to us. We see the foaming brook with
compunction: if our own life flowed with the right energy, we should
shame the brook. The stream of zeal sparkles with real fire, and not
with reflex rays of sun and moon. Nature may be as selfishly studied as
trade.
Public-domain text, read in full here on John Shaqi.
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