Essays towards the history of paintingCallcott, Maria, Lady
History
Essays towards the history of painting
Callcott, Maria, Lady
Painting -- History
I can imagine readily that in the chambers of the dead, the plain form
shadowed out in a simple colour, and lighted by the glare of torches,
may have had an awful and ghostly character; and if these figures were
of the size of life, or larger, and further aided by the varying tints
afforded by a low relief, as the torches glared upon them, a describer
could hardly be charged with exaggeration, whatever effects he might
impute to them.
Still these are not pictures, though the artists approached nearly to
picturesque design in many of the chiselled figures on the walls of the
temples and tombs of Thebes, where the attacking and defending towns,
the triumphs of a victorious king, the punishment of rebels, and other
historical facts, are rendered with considerable spirit, and convey
a notion that their authors might have become painters, had they not
been restrained by custom from change or progress. These could not,
however, be the beginnings of art. They mark already a very advanced
state of society, since such great works of ornament could be required
and executed; and they, it seems, were ancient when Herodotus visited
Egypt 450 years before our era[17].
But we have more authentic documents in favour of the antiquity of the
arts in Egypt, even than those afforded by the father of Greek history.
Fifteen centuries before Herodotus travelled into Egypt, Abraham had
been entertained there by a powerful king, who gave him gifts, such
as only the head of a people already conversant with many arts could
bestow. The whole history of Joseph’s life in Egypt[18] bears witness
to the progress already made there in civility and the arts of polished
life.
Could we read the inscription freely, which covers the obelisk of
Mataryah, the only remains of the stately Heliopolis, the On of
Scripture, perhaps we might find some record of that high priest who
gave his daughter in marriage to the Hebrew governor.
Both sacred[19] and profane history[20] fix upon the two centuries
between 1600 and 1400 before Christ, as the period when a prodigious
movement took place in Egypt, and when great works were undertaken by
the kings, and important colonies led forth into the western parts of
Asia, and into Greece.
Public-domain text, read in full here on John Shaqi.
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