"Don't believe him, Miss Brooke," said Hazard. "He wants you to do his
own work, and if you give in to him you are lost. He covers a canvas
with paint and then asks you to put yourself into it. He might as well
hold up a looking-glass to you. Any man can paint a beautiful picture if
he could persuade Miss Brooke to see herself in it."
"What a pretty compliment," said Esther. "It is more flattering than the
picture."
"You can prove its truth, Miss Dudley," said Hazard. "It is easy to show
that I am right. Paint Miss Brooke yourself! Give to her the soul of the
Colorado plains! Show that beauty of subject is the right ideal! You
will annihilate Wharton and do an immortal work."
Hazard's knack of fixing an influence wherever he went had long been the
wonder of Strong, but had never surprised or amused him more than now,
when he saw Esther, after a moment's hesitation, accept this idea, and
begin to discuss with Hazard the pose and surroundings which were to
give Catherine Brooke's picture the soul of the Colorado plains. Hazard
drew well and had studied art more carefully than most men. He used to
say that if he had not a special mission for the church, as a matter of
personal taste he should have preferred the studio. He not only got at
once into intimate relations with Esther and Catherine, but he
established a sort of title in Esther's proposed portrait. Strong
laughed to himself at seeing that even Mr. Dudley, who disliked the
clergy more than any other form of virtue, was destined to fall a victim
to Hazard's tact.
When the clergyman walked away from Strong's rooms that afternoon, he
felt, although even to himself he would not have confessed it, a little
elated. Instinct has more to do than vanity with such weaknesses, and
Hazard's instinct told him that his success, to be lasting, depended
largely on overcoming the indifference of people like the Dudleys. If he
could not draw to himself and his church the men and women who were
strong enough to have opinions of their own, it was small triumph to
draw a procession of followers from a class who took their opinions,
like their jewelry, machine-made. He felt that he must get a hold on the
rebellious age, and that it would not prove rebellious to him. He meant
that Miss Dudley should come regularly to church, and on his success in
bringing her there, he was half-ready to stake the chances of his
mission in life.
Public-domain text, read in full here on John Shaqi.
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