Esto perpetua : $b Algerian studies and impressionsBelloc, Hilaire
History
Esto perpetua : $b Algerian studies and impressions
Belloc, Hilaire
Algeria -- Description and travel
It is the centre of that belt of hills. A broad valley, one of the
hundreds which build up the complicated pattern of the Mediterranean
slope, lies before the platform upon which the fortress rose. A muddy
river nourishes it, and all the plain is covered with the new farms and
vineyards—beyond them the summits and the shoulders that make a tumbled
landscape everywhere along the northern shores of Africa guard the place
whichever way one turns. From the end of every street one sees a
mountain.
If a man had but one day in which to judge the nature of the province,
he could not do better than come to this town upon some winter evening
when it was already dark, and wake next morning to see the hurrying sky
and large grey hills lifting up into that sky all around and catching
the riot of its clouds. It is high and cold: there is a spread of
pasture in its fields and a sense of Europe in the air. No device in the
architecture indicates an excessive heat in summer and even the trees
are those of Italy or of Provence. Its site is a survival from the good
time when the Empire packed this soil with the cities of which so great
a number have disappeared: it is also a promise of what the near future
may produce, a new harvest of settled and wealthy walls, for it is in
the refounding of such municipalities that the tradition of Europe will
work upon Africa and not in barren adventure southward towards a sky
which is unendurable to our race and under which we can never build and
can hardly govern.
[Illustration]
Guelma is typical in every way. It was Berber before the Romans came,
but nothing remains of its founders or of whatever punic influence its
first centuries may have felt. Of Rome so much endures that the heavy
walls and the arches are, as it were, the framework of the place.
[Sidenote: The Permanence of Rome]
In the citadel a great fragment larger than anything else in the town
runs right across the soldiers’ quarters, pierced with the solid arches
that once supported the palace of Calama. Only the woodwork has
disappeared. The stones which supported the flooring still stand out
unbroken, and the whole wall, though it is not very high—hardly higher
than the big barracks around it—remains in the mind, as though it had a
right to occupy one’s memory of the Kasbah by a sort of majesty which
nothing that has been built since its time has inherited. Here, as
throughout the Empire, the impression of Rome is as indefinable as it is
profound, but one can connect some part of it at least with the
magnitude of the stones and the ponderous simplicity of their courses,
with the strength that the half-circle and the straight line convey, and
with the double evidence of extreme antiquity and extreme endurance; for
there is something awful in the sight of so many centuries visibly
stamped upon the stone, and able to evoke every effect of age but not to
compel decay.
Public-domain text, read in full here on John Shaqi.
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