Esto perpetua : $b Algerian studies and impressionsBelloc, Hilaire
History
Esto perpetua : $b Algerian studies and impressions
Belloc, Hilaire
Algeria -- Description and travel
There is one point in which the contact between these master-enemies and
ourselves is best apparent. They gave us the Gothic, and yet under our
hands the Gothic became the most essentially European of all European
things. Consider these two tiers of one Arabian building founded in
Africa, while yet the vigour of that civilisation was strong. True, the
work is not in stone but in plaster, for to work stone they needed an
older civilisation than their own. But see how it is the origin of, or
rather identical with, our ogive. By what is it that we recognise these
intersecting segments (which are of the perfect 60° like our own) to be
something foreign? And how is it that we know that no Christian could
have built these things? Venice has windows like these: by just so much
she is not of the West, and by just that innoculation perhaps she
perished. The ecstasy of height, the self-development of form into
further form, the grotesque, the sublime and the enthusiastic—all these
things the Arab arch lacks as utterly as did the Arab spirit; yet the
form is theirs and we obtained it from them. In this similarity and in
these differences are contained and presented visibly the whole story of
our contact with them and of our antagonism.
[Illustration]
[Illustration]
In the presence of the doom or message which the Arabians communicated
to our race in Africa, one is compelled to something of the awe with
which one would regard a tomb from which great miracles proceeded, or a
dead hero who, though dead, might not be disturbed. The thing we have to
combat, or which we refrain and dread from combating, is not tangible,
and is the more difficult to remove. It has sunk into the Atlas and into
the desert, it has filled the mind of every man from the Soudan which it
controls up northwards to Atlas and throughout this land.
[Sidenote: The Touaregs]
Roaming in the Sahara are bands of men famous for their courage and
their isolation. They are called the Touaregs. They are of the same race
and the same language as those original Berbers who yet maintain
themselves apart in the heights of Aurès or of the Djurdjura. They are
the enemies of all outside their tribes, especially of the Arab
merchants, upon whose caravans they live by pillage. Yet even these
Islam has thoroughly possessed and would seem to have conquered for
ever. Their language has escaped; their tiny literature (for they have
letters of their own, and their alphabet is indigenous) has survived
every external influence, but even there the God of the Mohammedans has
appeared.
Public-domain text, read in full here on John Shaqi.
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