Married people -- Fiction; United States -- Social life and customs -- Fiction
Van Buren's set,
Ethelyn's handsome blue silk sweeping far behind her, and her white bare
arm just touching the coat-sleeve of her husband, who was not insensible
to the impression made by the beautiful woman at his side.
There were no lectures that night, for Richard had done his best,
talking at least twenty times with both Mrs. Cameron and Mrs. Colonel
Tophevie, whom he found more agreeable than he had supposed. Then he had
held Ethelyn's white cloak upon his arm, and stood patiently against the
wall, while up at the United States she danced set after set--first, the
Lancers, with young Lieutenant Gray, then a polka with John Tophevie,
and lastly, a waltz with Frank Van Buren, who whirled his fair partner
about the room with a velocity which made Richard dizzy and awoke sundry
thoughts not wholly complimentary to that doubtful dance, the waltz.
Richard did not dance himself, at least not latterly. In his younger
days, when he and Abigail Jones attended the quilting-frolics together
and the "paring bees," he had with other young men, tried his feet at
Scotch reels, French fours, "The Cheat," and the "Twin Sisters," with
occasionally a cotillion, but he was not accomplished in the art. Even
the Olney girls called him awkward, preferring almost anyone else for a
partner, and so he abandoned the floor and cultivated his head rather
than his heels. He liked to see dancing, and at first it was rather
pleasant watching Ethelyn's lithe figure gliding gracefully through the
intricate movements of the Lancers; but when it came to the waltz, he
was not so sure about it, and he wondered if it were necessary for Frank
Van Buren to clasp her as tightly about the waist as he did, or for her
to lean so languidly upon his shoulder.
Richard was not naturally jealous--certainly not of Frank Van Buren; but
he would rather his wife should not waltz with him or any other man, and
so he said to her, asking this concession on her part in return for all
he had promised to attempt; and to Ethelyn's credit we record that she
yielded to her husband's wishes, and, greatly to Frank's surprise,
declined the waltz which he had proposed the following evening. But she
made amends in other dances, keeping poor Richard waiting for her night
after night, until he actually fell asleep and dreamed of the log cabin
on the prairie, where he had once danced a quadrille with Abigail Jones
to the tune of Money-musk, as played by the Plympton brothers--the one
on a cracked violin, and the other on an accordion.
A tap of Mrs. Tophevie's fan brought him back to consciousness, and he
was almost guilty of a sigh as the log cabin faded from his vision, with
the Plymptons and Abigail Jones, leaving instead that heated ballroom,
with its trained orchestra, its bevy of fair young girls, its score of
white-kidded dandies with wasp-like waists and perfumed locks, and Ethie
smiling in their midst.
Public-domain text, read in full here on John Shaqi.
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