revolution in the pursuits and disposition of the character. No one who has examined with care and thoughtfulness the aspects of Life and Nature but must allow that in the contemplation of such a spectacle, great and most moral truths must force themselves on the notice and sink deep into the heart. The entanglements of human reasoning; the influence of circumstance upon deeds; the perversion that may be made, by one self-palter with the Fiend, of elements the most glorious; the secret effect of conscience in frustrating all for which the crime was done, leaving genius without hope, knowledge without fruit, deadening benevolence into mechanism, tainting love itself with terror and suspicion,--such reflections (leading, with subtler minds, to many more vast and complicated theorems in the consideration of our nature, social and individual) arise out of the tragic moral which the story of Eugene Aram (were it but adequately treated) could not fail to convey. BRUSSELS, August, 1840. PREFACE TO THE PRESENT EDITION. If none of my prose works have been so attacked as “Eugene Aram,” none have so completely triumphed over attack. It is true that, whether from real or affected ignorance of the true morality of fiction, a few critics may still reiterate the old commonplace charges of “selecting heroes from Newgate,” or “investing murderers with interest;” but the firm hold which the work has established in the opinion of the general public, and the favor it has received in every country where English literature is known, suffice to prove that, whatever its faults, it belongs to that legitimate class of fiction which illustrates life and truth, and only deals with crime as the recognized agency of pity and terror in the conduct of tragic narrative. All that I would say further on this score has been said in the general defence of my writings which I put forth two years ago; and I ask the indulgence of the reader if I repeat myself:--