Eugene Aram — CompleteLytton, Edward Bulwer Lytton, Baron
General
Eugene Aram — Complete
Lytton, Edward Bulwer Lytton, Baron
Aram, Eugene, 1704-1759 -- Fiction
Perhaps it will not be without interest to the reader if I append to
this preface an authentic specimen of Eugene Aram’s composition, for
which I am indebted to the courtesy of a gentleman by whose grandfather
it was received, with other papers (especially a remarkable “Outline of
a New Lexicon”), during Aram’s confinement in York prison. The essay
I select is, indeed, not without value in itself as a very curious and
learned illustration of Popular Antiquities, and it serves also to show
not only the comprehensive nature of Aram’s studies and the inquisitive
eagerness of his mind, but also the fact that he was completely
self-taught; for in contrast to much philological erudition, and to
passages that evince considerable mastery in the higher resources of
language, we may occasionally notice those lesser inaccuracies from
which the writings of men solely self-educated are rarely free,--indeed
Aram himself, in sending to a gentleman an elegy on Sir John Armitage,
which shows much, but undisciplined, power of versification, says, “I
send this elegy, which, indeed, if you had not had the curiosity to
desire, I could not have had the assurance to offer, scarce believing I,
who was hardly taught to read, have any abilities to write.”
THE MELSUPPER AND SHOUTING THE CHURN.
These rural entertainments and usages were formerly more general all
over England than they are at present, being become by time, necessity,
or avarice, complex, confined, and altered. They are commonly insisted
upon by the reapers as customary things, and a part of their due for the
toils of the harvest, and complied with by their masters perhaps more
through regards of interest than inclination; for should they refuse
them the pleasures of this much-expected time, this festal night, the
youth especially, of both sexes would decline serving them for the
future, and employ their labors for others, who would promise them the
rustic joys of the harvest-supper, mirth and music, dance and song.
These feasts appear to be the relics of Pagan ceremonies or of Judaism,
it is hard to say which, and carry in them more meaning and are of far
higher antiquity than is generally apprehended. It is true the subject
is more curious than important, and I believe altogether untouched; and
as it seems to be little understood, has been as little adverted to.
I do not remember it to have been so much as the subject of a
conversation. Let us make, then, a little excursion into this field, for
the same reason men sometimes take a walk. Its traces are discoverable
at a very great distance of time from ours,--nay, seem as old as a sense
of joy for the benefit of plentiful harvests and human gratitude to the
eternal Creator for His munificence to men. We hear it under various
names in different counties, and often in the same county; as,
“melsupper,” “churn-supper,” “harvest-supper,” “harvest-home,” “feast of
in-gathering,” etc. And perhaps this feast had been long observed, and
Public-domain text, read in full here on John Shaqi.
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