Eugene Field, a Study in Heredity and Contradictions — Volume 2Thompson, Slason
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Eugene Field, a Study in Heredity and Contradictions — Volume 2
Thompson, Slason
Field, Eugene, 1850-1895; Journalists -- United States -- Biography; Poets, American -- 19th century -- Biography
Now, by my sword I swear't, all this venal and base-born rabble
shall rue their folly when thou art returned, O nonpareil of all the
brave and hospitable! I pray thee bring rich booty from that
province wherein thou dost now tarry--crowns, derniers, livres,
ducats, golden angels, and farthings. Then soothly shall we make
merry o'er butts of good October brewing. Commend me to the discreet
and beauteous ladies after the manner of that country, for I have
heard their virtues highly praised, it being said that they do sing
well, play the lute and spinet and work fair marvels with the
needle. I do beseech thee bespeak me fair unto the grand seneschal,
Sir Barbour, and thy joyous and courteous host, Sir Walter. In sooth
it is a devilry how I do miss you. Thy friend and slave in sweetness
and humility,
THE GOOD KNIGHT.
December 29th, 1885.
CHAPTER IV
MORE LETTERS
In the fall and winter of 1885-86 I succeeded in inducing Field to
take the only form of exercise he was ever known voluntarily to
indulge. While his column of "Sharps and Flats" to the end bore
almost daily testimony to his enthusiastic devotion to the national
game and of his critical familiarity with its fine points and
leading exponents, he was never known to bat or throw a ball. He
never wearied of singing the praises in prose and verse of Michael
J. Kelly, who for many years was the star of the celebrated "White
Stockings" of Chicago when it won the National League pennant year
after year. Nor did he cease to revile the Chicago base-ball
management when it transferred "King Kel" to the Boston club for the
then unheard-of premium of $10,000. When the base-ball season was at
its height his column would bristle with the proofs of his vivid
interest in it. I have known it on one day to contain over a score
of paragraphs relating to the national game, encouraging the home
nine or lampooning the rival club with all the personal vivacity of
a sporting reporter writing for a country weekly. Interspersed among
these notes would be many an odorous comparison like this, printed
June 28th, 1888:
Benjamin Harrison is a good, honest, patriotic man, and we like him.
But he never stole second base in all his life and he could not swat
Mickey Welch's down curves over the left-field fence. Therefore we
say again, as we have said many times before, that much as we revere
Benjamin Harrison's purity and amiability, we cannot but accord the
tribute of our sincerest admiration, to that paragon of American
manhood, Michael J. Kelly.
So when Kelly essayed to change the scene of his labors from the
diamond to the melodramatic stage in 1893 it is not surprising to find
that Field, in a semi-humorous and semi-serious vein, thus applauded
and approved his choice:
Public-domain text, read in full here on John Shaqi.
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