Aristocracy (Social class) -- Fiction; Europe -- Social life and customs -- 19th century -- Fiction
I replied, modestly, that, after all, both our freedom and our good
conduct had their limits, and she turned quickly about and shook her fan
with a dramatic gesture at Pickering. "No matter, no matter!" she cried;
"I should like to see the country which produced that wonderful young
man. I think of it as a sort of Arcadia--a land of the golden age. He's
so delightfully innocent! In this stupid old Germany, if a young man is
innocent he's a fool; he has no brains; he's not a bit interesting. But
Mr. Pickering says the freshest things, and after I have laughed five
minutes at their freshness it suddenly occurs to me that they are very
wise, and I think them over for a week." "True!" she went on, nodding at
him. "I call them inspired solecisms, and I treasure them up. Remember
that when I next laugh at you!"
Glancing at Pickering, I was prompted to believe that he was in a state
of beatific exaltation which weighed Madame Blumenthal's smiles and
frowns in an equal balance. They were equally hers; they were links
alike in the golden chain. He looked at me with eyes that seemed to say,
"Did you ever hear such wit? Did you ever see such grace?" It seemed to
me that he was but vaguely conscious of the meaning of her words; her
gestures, her voice and glance, made an absorbing harmony. There is
something painful in the spectacle of absolute enthralment, even to an
excellent cause. I gave no response to Pickering's challenge, but made
some remark upon the charm of Adelina Patti's singing. Madame
Blumenthal, as became a "revolutionist," was obliged to confess that she
could see no charm in it; it was meagre, it was trivial, it lacked soul.
"You must know that in music, too," she said, "I think for myself!" And
she began with a great many flourishes of her fan to explain what it was
she thought. Remarkable things, doubtless; but I cannot answer for it,
for in the midst of the explanation the curtain rose again. "You can't
be a great artist without a great passion!" Madame Blumenthal was
affirming. Before I had time to assent Madame Patti's voice rose
wheeling like a skylark, and rained down its silver notes. "Ah, give me
that art," I whispered, "and I will leave you your passion!" And I
departed for my own place in the orchestra. I wondered afterwards
whether the speech had seemed rude, and inferred that it had not on
receiving a friendly nod from the lady, in the lobby, as the theatre was
emptying itself. She was on Pickering's arm, and he was taking her to
her carriage. Distances are short in Homburg, but the night was rainy,
and Madame Blumenthal exhibited a very pretty satin-shod foot as a reason
why, though but a penniless widow, she should not walk home. Pickering
left us together a moment while he went to hail the vehicle, and my
companion seized the opportunity, as she said, to beg me to be so very
kind as to come and see her. It was for a particular reason! It was
Public-domain text, read in full here on John Shaqi.
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