The Lives can best be read in the edition of the _Scholia_ by Ed. Schwartz (Berlin, 1887). To this must now be added the fragments of Satyrus in _Oxyrhyncus Papyri_, vol. ix. (also contained, though without Dr. Hunt's introduction, in Arnim's _Supplementum Euripideum_; see above). The ancient references to the facts of Euripides' life are admirably collected in vol. i. of Nauck's small text of _Euripides_. See also Wilamowitz's _Herakles_, pp. 1-40. CHRONOLOGY OF THE PLAYS.--Wilamowitz-Moellendorff, _Analecta Euripidea_ (Berlin, 1875). Grace Macurdy, _The Chronology of the extant Plays of Euripides_ (Columbia University, 1905). LOST PLAYS.--Fragments in Nauck; see above. No complete translation. A good many of the lost plays are treated and fragments translated in the Appendix to Murray's _Euripides, Athenian Drama_, vol. ii.; see above. The classical work on this subject is still Welcker's _Griechische Tragoedie_, a great book: 3 vols. (Leipzig, 1839-41.) Hartung's _Euripides Restitutus_, 2 vols. (Hamburg, 1844), is uncritical and somewhat prejudiced against Welcker, but has much charm. ANTIQUITIES, ETC.--The standard book is Haigh's _Attic Theatre_, 3rd edition, by A. W. Pickard-Cambridge (Oxford, 1907). See also _Greek Tragedy_ by J. T. Sheppard (Cambridge Manuals) and _Greek Drama_ by Barnet in Dent's Series. PRONUNCIATION OF GREEK NAMES Greek names have mostly come to the modern world through Latin and consequently are generally given in their Latin form. Thus in Latin the K-sound was denoted by C; KH by CH, AI- by AE; OU- by U; U by Y, which is really a Greek letter taken over into Latin for this express purpose. Also one or two common terminations are given in their Latin form, Homêros becoming Homerus, Apollon Apollo, and Alexandros Alexander. This difference in writing did not mean a difference in pronunciation; the Latin _Aeschylus_ was pronounced (except perhaps in the termination) exactly like the Greek "_Aiskhulos_," _Thucydides_ like "_Thoukudides_." The conventional English pronunciation follows the Latin form and pronounces all vowels and diphthongs as in English, except that E is always pronounced, and never used merely to lengthen a previous vowel: e.g., "Euripides" rhymes with "insipid ease," not with "glides," "Hermione" roughly with "bryony," not with "tone." OE and AE are pronounced as one syllable, like "ee" in "free," except when marked as two syllables, as "Arsinoë." EU as in "feud." Of the consonants C is pronounced as in English, CH as K. The only difficulty then is to know where the stress comes and what vowels are long or short. By Latin custom, if the last syllable but one is long, it will have the stress (as _surprísing_, _everlásting_, _Achílles_, _Agamémnon_); if the last syllable but one is short, the stress will be on the syllable before (as _ádamant_, _dángerous_, _Aéschylus_, _Thucýdides_).