Euripides -- Criticism and interpretation; Mythology, Greek, in literature; Tragedy
beggar's dress was a little more realistic and less merely symbolical
than his audience expected. In any case, though critics were shocked,
the practice established itself. Telephus and Philoctêtes were
afterwards regularly allowed to dress in "rags," even in the work of
Sophocles.
There were great scenes owing to the boldness of the ragged and
intrusive stranger. The Greek chieftains proposed to kill him, but
granted him at last the right of making one speech to save his life. He
seems to have spoken beside, or over, the headsman's block. And the case
he had to plead was characteristic of Euripides. The Greeks considered
quite simply that Telephus was their enemy and must be destroyed on
their next expedition. The beggar explained that Telephus had found his
country ravaged and was bound to defend it. Every man among the Greeks
would have done the same; there is nothing to blame Telephus for. At the
end of this scene, apparently, the beggar was discovered. It is Telephus
himself speaking! They fly to their spears. But Telephus has snatched up
the baby prince, Orestes, from his cradle and stands at bay; if one of
his enemies moves the child shall die. Eventually they accept his terms
and make peace with him. A fine melodrama, one would guess, and a move
in the direction of realism--a direction which Euripides only followed
within certain strict limits. But we find two marks of Euripides the
philosopher. The beggar who pleads for reasonable justice towards the
national enemy strikes a note which Euripides himself often had to sound
afterwards. It was not for nothing that Aristophanes in his
_Acharnians_, thirteen years later, used a parody of this scene in order
to plead the dangerous cause of reasonableness towards Sparta. The other
mark is a curious tang of sadness at the close. The Greeks demand that
Telephus, so brave and resourceful, shall be their ally against Troy.
But his wife is a Trojan princess and he refuses. He consents
reluctantly to show the army the road to his wife's fatherland and then
turns away.
Public-domain text, read in full here on John Shaqi.
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