Euripides -- Criticism and interpretation; Mythology, Greek, in literature; Tragedy
Towards the beginning of the war we may safely date the _Children of
Heracles_, a mutilated but beautiful piece, which rings with this
particular spirit of patriotism (cf. p. 41 above). Heracles is dead; his
children and mother are persecuted and threatened with death by his
enemy, Eurystheus, king of Argos. Under the guidance of their father's
old comrade, Iolaus, they have fled from Argos, and tried in vain to
find protectors in every part of Greece. No city dares protect them
against the power of Argos. At the opening of the play we find the
children and Iolaus clinging as suppliants to an altar in Athens. The
herald of Argos breaks in upon them, flings down the old man and
prepares to drag the children off. "What hope can Iolaus possibly
cherish?" Iolaus trusts in two things, in Zeus who will protect the
innocent, and in Athens which is a free city and not afraid. The king of
Athens, a son of Theseus, appears and rebukes the herald. The herald's
argument is clear: "These children are Argive subjects and are no
business of yours; further, they are utterly helpless and will be no
possible good to you as allies. And if you do not give them up
peacefully, Argos declares instant war." The king "wishes for peace with
all men; but he will not offend God, nor betray the innocent; also he
rules a free city and will take no orders from any outside power. As to
the fate of these children not being his business, it is always the
business of Athens to save the oppressed." One remembers the old claim,
emphatically approved by the historian of the Persian Wars, that Athens
was the saviour of Hellas. One remembers also the ultimatum of the
Peloponnesian confederacy which Pericles rejected on the eve of the
present war; and the repeated complaints of the Corinthians that Athens
"will neither rest herself nor let others rest." These supply the clue
to a large part of the patriotism of the _Children of Heracles_. There
is another element also, and perhaps one that will better stand the test
of impartial criticism, in Euripides' ideal of Athens. She will be true
to Hellas and all that Hellas stands for: for law, for the gods of
mercy, for the belief in right rather than force. Also, as the king of
Athens is careful to observe, for democracy and constitutional
government. He is no despot ruling barbarians.
Public-domain text, read in full here on John Shaqi.
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