Euripides -- Criticism and interpretation; Mythology, Greek, in literature; Tragedy
What, then, shall be our method in approaching him? It is fatal to fly
straight at him with modern ready-made analogies. We must see him in his
own atmosphere. Every man who possesses real vitality can be seen as the
resultant of two forces. He is first the child of a particular age,
society, convention; of what we may call in one word a tradition. He is
secondly, in one degree or another, a rebel against that tradition. And
the best traditions make the best rebels. Euripides is the child of a
strong and splendid tradition and is, together with Plato, the fiercest
of all rebels against it.
There is nothing paradoxical in this. No tradition is perfect. The best
brings only a passing period of peace or triumph or stable equilibrium;
humanity rests for a moment, but knows that it must travel further; to
rest for ever would be to die. The most thorough conformists are
probably at their best when forced to fight for their ideal against
forces that would destroy it. And a tradition itself is generally at its
best, not when it is universally accepted, but when it is being attacked
and broken. It is then that it learns to search its own heart and live
up to its full meaning. And in a sense the greatest triumph that any
tradition can accomplish is to rear noble and worthy rebels. The Greek
tradition of the fifth century B.C., the great age of Athens, not only
achieved extraordinary advances in most departments of human life, but
it trained an extraordinary band of critical or rebellious children.
Many a reader of Plato's most splendid satires against democratic
Athens will feel within him the conclusive answer: "No place but Athens
could ever have reared such a man as this, and taught him to see these
faults or conceive these ideals."
Public-domain text, read in full here on John Shaqi.
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