It is highly probable that when an author reveals the power of evoking
views of places and of calling up portraits of people such as Mark Twain
showed in _Life on the Mississippi_, and when he has the masculine grasp
of reality Mark Twain made evident in _Roughing It_, he must needs
sooner or later turn from mere fact to avowed fiction and become a
story-teller. The long stories which Mark Twain has written fall into
two divisions--first, those of which the scene is laid in the present,
in reality, and mostly in the Mississippi Valley, and second, those of
which the scene is laid in the past, in fantasy mostly, and in Europe.
As my own liking is a little less for the latter group, there is no need
for me now to linger over them. In writing these tales of the past Mark
Twain was making up stories in his head; personally I prefer the tales
of his in which he has his foot firm on reality. _The Prince and the
Pauper_ has the essence of boyhood in it; it has variety and vigor; it
has abundant humor and plentiful pathos; and yet I for one would give
the whole of it for the single chapter in which Tom Sawyer lets the
contract for whitewashing his aunt’s fence.
Mr. Howells has declared that there are two kinds of fiction he likes
almost equally well--“a real novel and a pure romance”; and he joyfully
accepts _A Connecticut Yankee at King Arthur’s Court_ as “one of the
greatest romances ever imagined.” It is a humorous romance overflowing
with stalwart fun; and it is not irreverent, but iconoclastic, in that
it breaks not a few disestablished idols. It is intensely American and
intensely nineteenth century and intensely democratic--in the best sense
of that abused adjective. The British critics were greatly displeased
with the book;--and we are reminded of the fact that the Spanish still
somewhat resent _Don Quixote_ because it brings out too truthfully the
fatal gap in the Spanish character between the ideal and the real. So
much of the feudal still survives in British society that Mark Twain’s
merry and elucidating assault on the past seemed to some almost an
insult to the present.
Public-domain text, read in full here on John Shaqi.
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