The star disappeared and the footsteps that accompanied it clanked out
of hearing in the distance. Mr. Wright held up his lantern and the vague
vastness took something of form to itself--the stately columns developed
stronger outlines, and a dim pallor here and there marked the places of
lofty windows. We were among the tombs; and on every hand dull shapes of
men, sitting, standing, or stooping, inspected us curiously out of the
darkness--reached out their hands toward us--some appealing, some
beckoning, some warning us away. Effigies, they were--statues over the
graves; but they looked human and natural in the murky shadows. Now a
little half-grown black-and-white cat squeezed herself through the bars
of the iron gate and came purring lovingly about us, unawed by the time
or the place--unimpressed by the marble pomp that sepulchers a line of
mighty dead that ends with a great author of yesterday and began with a
sceptered monarch away back in the dawn of history more than twelve
hundred years ago. And she followed us about and never left us while we
pursued our work. We wandered hither and thither, uncovered, speaking in
low voices, and stepping softly by instinct, for any little noise rang
and echoed there in a way to make one shudder. Mr. Wright flashed his
lantern first upon this object and then upon that, and kept up a running
commentary that showed that there was nothing about the venerable Abbey
that was trivial in his eyes or void of interest. He is a man in
authority--being superintendent of the works--and his daily business
keeps him familiar with every nook and corner of the great pile. Casting
a luminous ray now here, now yonder, he would say:
Public-domain text, read in full here on John Shaqi.
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