Ah, the poor Jacques--how he must suffer! Hark to that low, sickening thud! 'Tis the accursed soap dropping from his nerveless grasp. Hist to that sound--like unto a death rattle! It is the water gurgling in the tub. And what means that low, poignant, smothered gasp? It is the last convulsive cry of Jacques descending into the depths. All is over! Let us pray! The tub, emptied but stained, is lowered to the waiting cart. The executioner kisses the citizen who has held his horse for him during his absence and departs; the whole district still hums with ill-suppressed excitement. Questions fly from tongue to tongue. Was the victim brave at the last? Was he resigned when the dread moment came? And how is the family bearing up? It is hours before the place settles down again to that calm which will endure for another month, until somebody else takes a bath on a physician's prescription. Even in the sanctity of a Paris hotel a bath is more or less a public function unless you lock your door. All sorts of domestic servitors drift in, filled with a morbid curiosity to see how a foreigner deports himself when engaged in this strange, barbaric rite. On the occasion of my first bath on French soil, after several of the hired help had thus called on me informally, causing me to cower low in my porcelain retreat, I took advantage of a moment of comparative quiet to rise drippingly and draw the latch. I judged the proprietor would be along next, and I was not dressed for him. The Lady Susanna of whom mention has previously been made must have stopped at a French hotel at some time of her life. This helps us to understand why she remained so calm when the elders happened in. Even as now practiced, bathing still remains a comparative novelty in the best French circles, I imagine. I base this presumption on observations made during a visit to Versailles. I went to Versailles; I trod with reverent step those historic precincts adorned with art treasures uncountable, with curios magnificent, with relics invaluable. I visited the little palace and the big; I ventured deep into that splendid forest where, in the company of ladies regarding whom there has been a good deal of talk subsequently, France's Grandest and Merriest Monarch disported himself. And I found out what made the Merriest Monarch merry--so far as I could see, there was not a bathroom on the place. He was a true Frenchman--was Louis the Fourteenth. In Berlin, at the Imperial Palace, our experience was somewhat similar. Led by a guide we walked through acres of state drawing rooms and state dining rooms and state reception rooms and state picture rooms; and we were told that most of them--or, at least, many of them--were the handiwork of the late Andreas Schluter. The deceased Schluter was an architect, a painter, a sculptor, a woodcarver, a decorator, all rolled into one. He was the George M. Cohan of his time; and I think he also played the clarinet, being a German.