Thence On and On to Verbotenland
Ah, Rome--the Roma of the Ancients--the Mistress of the Olden World--the
Sacred City! Ah, Rome, if only your stones could speak! It is customary
for the tourist, taking his cue from the guidebooks, to carry on like
this, forgetting in his enthusiasm that, even if they did speak, they
would doubtless speak Italian, which would leave him practically where
he was before. And so, having said it myself according to formula, I
shall proceed to state the actual facts:
If, coming forth from a huge and dirty terminal, you emerge on a
splendid plaza, miserably paved, and see a priest, a soldier and a
beggar; a beautiful child wearing nothing at all to speak of, and a
hideous old woman with the eyes of a Madonna looking out of a tragic
mask of a face; a magnificent fountain, and nobody using the water, and
a great, overpowering smell--yes, you can see a Roman smell; a cart
mule with ten dollars' worth of trappings on him, and a driver with ten
cents' worth on him; a palace like a dream of stone, entirely surrounded
by nightmare hovels; a new, shiny, modern apartment house, and
shouldering up against it a cankered rubbish heap that was once the
playhouse of a Caesar, its walls bearded like a pard's face with tufted
laurel and splotched like a brandy drunkard's with red stains; a church
that is a dismal ruin without and a glittering Aladdin's Cave of gold
and gems and porphyry and onyx within; a wide and handsome avenue
starting from one festering stew of slums and ending in another
festering stew of slums; a grimed and broken archway opening on a lovely
hidden courtyard where trees are green and flowers bloom, and in the
center there stands a statue which is worth its weight in minted silver
and which carries more than its weight in dirt--if in addition everybody
in sight is smiling and good-natured and happy, and is trying to sell
you something or wheedle you out of something, or pick your pocket of
something--you need not, for confirmatory evidence, seek the vast dome
of St. Peter's rising yonder in the distance, or the green tops of the
cedars and the dusky clumps of olive groves on the hillsides beyond--you
know you are in Rome.
To get the correct likeness of Naples we merely reduce the priests by
one-half and increase the beggars by two-thirds; we richen the color
masses, thicken the dirt, raise the smells to the Nth degree, and set
half the populace to singing. We establish in every second doorway a
mother with her offspring tucked between her knees and forcibly held
there while the mother searches the child's head for a flea; anyhow, it
is more charitable to say it is a flea; and we add a special touch of
gorgeousness to the street pictures.
Public-domain text, read in full here on John Shaqi.
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