Europe—whither bound? (Quo vadis Europa?) : $b being letters of travel from the capitals of Europe in the year 1921Graham, Stephen
History
Europe—whither bound? (Quo vadis Europa?) : $b being letters of travel from the capitals of Europe in the year 1921
Graham, Stephen
Europe -- Description and travel
The opposite note of liberty was at Moscow where the children not
infrequently, even under Tsardom, went on strike against their
teachers, where servants tell masters what they ought to do, where a
Rasputin is asked advice on imperial policy, the land of the Slavs
where obedience is at its lowest ebb, and all the parks and gardens and
country-sides languish naturally in disorder. "Love to Russia is
really love to the old mother-pig," said Suvorin. "But no matter, you
get used to it." The German, however, never gets used to it. That is
why in the old days the farms of the German colonist in Russia used to
be neat patches of an entirely orderly pattern, looking like islands in
the wild waste of Slav disorder. It might almost be said that Germany
made war to make the Russian _muzhik_ wash his face, and the Russians
made war so that people could go about with dirty faces if they wanted
to.
The question has not received a final answer. Greece is fighting for
an empire over Turks. Ireland is fighting the British Empire to obtain
the right to do what she wants in the world. The business penumbra of
the United States has begun to cover Mexico. Five or six constituents
of old Russian have cut free. But France has become imperial and would
impose a superior will on several nations.
Our curious clay sparrows stand on the wall. Wilson's sparrows, it is
reputed, fly; ours won't. As we made them, so they stand looking at
us, waiting apparently. If some one does not sprinkle holy water on
them soon they will either go to bits or have to be kneaded into the
common lump once more.
LETTERS OF TRAVEL
XIV. FROM ROME
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account