'P.S. I said two shawls--a black and a white. The black not so costly-- very well. And so delicate of him to think of the mourning! But the white, my dear, must be family--must! Old English point. Exquisitely chaste. So different from that Brussels poor Andrew surprised you with. I know it cost money, but this is a question of taste. The Duke reconciles me to England and all my troubles! He is more like poor Papa than any one of the men I have yet seen. The perfect gentleman! I do praise myself for managing an invitation to our Carry. She has been a triumph.' Admire the concluding stroke. The Countess calls this letter a purely business communication. Commercial men might hardly think so; but perhaps ladies will perceive it. She rambles concentrically, if I may so expound her. Full of luxurious enjoyment of her position, her mind is active, and you see her at one moment marking a plot, the next, with a light exclamation, appeasing her conscience, proud that she has one; again she calls up rival forms of faith, that she may show the Protestant its little shortcomings, and that it is slightly in debt to her (like Providence) for her constancy, notwithstanding. The Protestant you see, does not confess, and she has to absolve herself, and must be doing it internally while she is directing outer matters. Hence her slap at King Henry VIII. In fact, there is much more business in this letter than I dare to indicate; but as it is both impertinent and unpopular to dive for any length of time beneath the surface (especially when there are few pearls to show for it), we will discontinue our examination. The Countess, when she had dropped the letter in the bag, returned to her chamber, and deputed Dorothy Loring, whom she met on the stairs, to run and request Rose to lend her her album to beguile the afternoon with; and Dorothy dances to Rose, saying, 'The Countess de Lispy-Lispy would be delighted to look at your album all the afternoon.' 'Oh what a woman that is!' says Rose. 'Countess de Lazy-Lazy, I think.'