English fiction -- 19th century; Tailors -- Fiction
The image was tolerably correct, but other causes were at the bottom of
the air worn by John Raikes. The Countess had obtained an invitation for
him, with instructions that he should come early, and he had followed
them so implicitly that the curricle was flinging dust on the hedges
between Fallow field and Beckley but an hour or two after the chariot of
Apollo had mounted the heavens, and Mr. Raikes presented himself at the
breakfast table. Fortunately for him the Countess was there. After the
repast she introduced him to the Duke: and he bowed to the Duke, and the
Duke bowed to him: and now, to instance the peculiar justness in the mind
of Mr. Raikes, he, though he worshipped a coronet and would gladly have
recalled the feudal times to a corrupt land, could not help thinking that
his bow had beaten the Duke's and was better. He would rather not have
thought so, for it upset his preconceptions and threatened a revolution
in his ideas. For this reason he followed the Duke, and tried, if
possible, to correct, or at least chasten the impressions he had of
possessing a glaring advantage over the nobleman. The Duke's second
notice of him was hardly a nod. 'Well!' Mr. Raikes reflected, 'if this
is your Duke, why, egad! for figure and style my friend Harrington beats
him hollow.' And Raikes thought he knew who could conduct a conversation
with superior dignity and neatness. The torchlight of a delusion was
extinguished in him, but he did not wander long in that gloomy cavernous
darkness of the disenchanted, as many of us do, and as Evan had done,
when after a week at Beckley Court he began to examine of what stuff his
brilliant father, the great Mel, was composed. On the contrary, as the
light of the Duke dwindled, Raikes gained in lustre. 'In fact,' he said,
'there's nothing but the title wanting.' He was by this time on a level
with the Duke in his elastic mind.
Olympus had been held in possession by the Countess about half an hour,
when Lady Jocelyn mounted it, quite unconscious that she was scaling a
fortified point. The Countess herself fired off the first gun at her.
'It has been so extremely delightful up alone here, Lady Jocelyn: to look
at everybody below! I hope many will not intrude on us!'
'None but the dowagers who have breath to get up,' replied her ladyship,
panting. 'By the way, Countess, you hardly belong to us yet. You
dance?'
'Indeed, I do not.'
'Oh, then you are in your right place. A dowager is a woman who doesn't
dance: and her male attendant is--what is he? We will call him a fogy.'
Lady Jocelyn directed a smile at Melville and Sir John, who both
protested that it was an honour to be the Countess's fogy.
Rose now joined them, with Laxley morally dragged in her wake.
'Another dowager and fogy!' cried the Countess, musically. 'Do you not
dance, my child?'
'Not till the music strikes up,' rejoined Rose. 'I suppose we shall have
to eat first.'
Public-domain text, read in full here on John Shaqi.
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