“I have treated this mare like a baby that does not understand much, but I have won its affection completely, and I trust that. The animal has so little sense that it would scare at a scrap of paper lying in the road, and go almost frantic if it saw a man pulling a buggy. But if I were on its back, it would not run or do anything that might throw me off. You see, one must know which is stronger in each animal—sense or sentiment. With a horse it is sentiment, so I curry the mare myself, talking to her all the while in a loving way, and I never let anybody else go into the stall. Another thing: a horse loves liberty better than anything else, so I have taken off the halter with which the mare used to be tied in her stall, and, as you know, I turn her loose every morning when she has finished her fodder, and she follows me up here to the house grounds where she is perfectly free to nibble grass. But she loves me so much that she often quits the grass and comes up here to the porch just to get me to rub her nose or stroke her neck. She is strong, and I am light, so she likes me to sit upon her back, as you have seen me do for an hour at a time. She doesn’t quite like a saddle yet—and neither do I. I would never use anything more than a blanket, just for the protection of my clothes, only that Dorothy thinks that people would wonder, if I should go visiting or to church riding bareback. Why do people wonder in that way, Mr. Kilgariff, about other people’s doings?” “Upon my word, I don’t know, unless it is that we are all like the Pharisee in the parable, and want to emphasise our own superiority by criticising others.” “But why shouldn’t the others criticise, too? The ways of the people they criticise are no more different from their ways, than their ways are different from those of the people they criticise. I confess I don’t quite understand.” “Neither do I, Evelyn, except that it is the habit of people to set up their own ways as a standard and model, and to regard every departure from them as a barbarism. If it were not an accepted fact that the Venus of Milo is the most perfect exemplification we have of feminine beauty, and that it is the fashion to go into raptures over that piece of sculpture, I imagine that nine fashionable women in every ten would ridicule the way in which her hair is done up, simply because they do not do up theirs in the same way.” “Yes, I know,” answered the girl, dreamily, and as if in a reverie. “That was the trouble in the circus.” “In the circus? What do you mean?” “Nothing. Don’t ask me.” IX THE GREAT WAR GAME ALL this while the war was going on tremendously and Kilgariff was chafing at the restraint of a wound which forbade him to bear his part in it.