Religious rite, according to Father Gordon, should conform to the
artistic taste of the congregation, and he urged, with some force, that
the artistic taste of Southwark stood on quite as high a level as that
of Mayfair. To get a Mayfair audience they had only to follow the taste
of Southwark. And so, under his guidance, the Jesuits had increased
their orchestra and employed the best tenors that could be hired.
Nevertheless, their progress was slow. Father Gordon pleaded patience.
The neighbourhood was unfashionable; it was difficult to persuade their
friends to come so far. Mr. Innes answered that if they gave him a choir
of forty-five voices--he could do nothing with less--the West-end would
come at once to hear Palestrina. The distance, and the fact of the
church being in a slum, he maintained, would not be in itself a
drawback. Half the success of Bayreuth, he urged, is owing to its being
so far off. And this plan, too, seemed to possess some elements of
success, and so the Jesuits hesitated between very divergent methods by
which the same result might be attained.
A few flakes of snow were falling, and Evelyn and her father put up
their umbrellas as they crossed the road to the church. Three steps led
to the pointed door above which was the figure of the patron saint.
The nakedness of the unfinished and undecorated church was hidden in the
twilight of the approaching storm, and Evelyn trembled as she walked up
the aisle, so menacing seemed the darkness that descended from the sky.
The stained glass, blackened by the smoke of the factory chimneys, let
in but little light, the aisles were plunged in darkness, and kneeling
in her favourite place the ineffectual gaslight seemed to her like
painted flames on a dark background. The side chapels which opened on to
the aisles were shut off by no ornamental screens, indeed, the only
piece of decoration seemed to be the fine modern ironwork which veiled
the sanctuary.
Public-domain text, read in full here on John Shaqi.
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