In accordance with his and Mrs. Innes's wishes, the house had been
considerably altered. Partition walls had been taken away, and
practically the whole ground floor converted into class-rooms, leaving
free only one little room at the back where they had their meals. During
his wife's lifetime the house suited their requirements. The train
service from Victoria was frequent, and on the back of their notepaper
was printed a little map, whereby pupils coming and going from the
station could find their way. On the second floor was Mr. Innes's
workshop, where he restored the old instruments or made new ones after
the old models. There was Evelyn's bedroom--her mother had re-furnished
it before she died--and she often sat there; it was, in truth, the most
habitable room in the house. There was Evelyn's old nursery, now an
unoccupied room; and there were two other empty rooms. She had tried to
convert one into a little oratory. She had placed there a statue of the
Virgin, and hung a crucifix on the wall, and bought a _prie-Dieu_ and
put it there. But the room was too lonely, and she found she could say
her prayers more fervently by her bedside. Their one servant slept
downstairs in a room behind the kitchen. So the house often had the
appearance of a deserted house; and Evelyn, when she returned from
London, where she went almost daily to give music lessons, often paused
on the threshold, afraid to enter till her ear detected some slight
sound of her servant at work. Then she cried, "Is that you, Margaret?"
and she advanced cautiously, till Margaret answered, "Yes, miss."
Public-domain text, read in full here on John Shaqi.
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