Her father had not been able to come--that was a disappointment--but
Ulick had accompanied her beautifully, following her voice, making the
most of it at every moment. When she left the platform, she took both
his hands and thanked him. She loved him in that instant as a musician
and as a mistress. But the joy of the moment, the ecstasy of admiration,
was interrupted by Monsignor Mostyn and Father Daly. They too wished to
thank her. In his courtly manner, Monsignor told her of the pleasure her
singing had given him. But when Father Daly mentioned that the nuns
expected her to tea, her courage seemed to slip away. The idea of a
convent frightened her, and she tried to excuse herself, arguing that
she had to go back to London.
"If you're engaged for dinner, I'm afraid there will not be time,"
Monsignor said. She looked up, and, meeting his eyes, did not dare to
lie to him.
"No; I'm not dining out, but I promised to take Mr. Dean back in my
carriage."
"Mr. Dean will, I'm sure, not mind waiting."
It seemed to Evelyn that Monsignor suspected her relations with Ulick,
and to refuse to go to the convent, she thought, would only confirm him
in his suspicions. So she accepted the invitation abruptly, and when
they turned to go, she said--
"My carriage is here; I'll drive you," and, at the same moment, she
remembered that Ulick was waiting. But she felt that she could not drive
back to London with him after leaving the convent, and she hoped that
Monsignor would not correctly interpret the disappointment which was
plain upon his face. No; he must go back by train--no, there would be no
use his calling that evening at Park Lane.
She wore a black and white striped silk dress, with a sort of muslin
bodice covered with lace, and there was a large bunch of violets in her
waistband. The horses were beautiful in the sunshine, and their red
hides glistened in the long, slanting rays. She put up her parasol and
tried to understand, but she could only see the angles of houses, and
the eccentricity of every passer-by. She saw very clearly the thin,
facial line, and her eyes rested on the touch of purple at the throat to
mark his Roman dignity. Father Daly sat opposite, rubbing his thumbs
like one in the presence of a superior. He was not ill-looking, but so
shy that his features passed unperceived, and it was some time before
she saw his eyes; they were always cast down, and his thin, well-cut
nose disappeared in his freckled cheeks. The cloth he wore was coarser
than Monsignor's; his heavy shoes contrasted with the finely-stitched
and buckled shoes of the Papal prelate.
Public-domain text, read in full here on John Shaqi.
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