This visit to the convent frightened Evelyn more than the largest
audience that had ever assembled to hear her, and, until they got clear
of the town, she was not certain she would not plead some excuse and
tell the coachman to turn back. But now it was too late. The carriage
ascended the steep street, and, at the top of it, the town ended
abruptly at the edge of the common. On one side was a high brick wall,
hiding the grounds and gardens of the villas; on the other was the
common, seen through the leaves of a line of thin trees. In her nervous
agitation, she saw very distinctly--the foreground teeming with the
animation of cricket, the more remote parts solitary, the windmill
hovering in a corner out of the way of the sunset, and two horsemen and
a horsewoman cantering along the edge of the long valley into which the
plain dropped precipitously. The sun sank in a white sky, and Evelyn
caught the point of one of the ribs of her parasol, so that she could
hold it in a better position to shade her eyes, and she saw how the
houses stretched into a point, the last being an inn, no doubt the noisy
resort of the cricketers and the landscape painters. There was a painter
making his way towards the valley, his paint-box on his back. But at
that moment the carriage turned into a lane where a paling enclosed the
small gardens. She then noticed the decaying pear or apple tree, to
which was attached a clothes-line. Enormous sunflowers weltered in the
dusty corners. The brick was crumbling and broken, beautiful in colour,
"And in every one of these cottages someone is living; someone is
laughing; someone will soon be dead. Good heavens, how strange!"
"We are nearly there."
Evelyn started; it was Father Daly speaking to her. "The cottages have
spoilt the appearance on this side, but the view is splendid from the
other."
The lane ascended and Evelyn remembered how the house stood inside a
wall behind some trees, looking westward, the last southern end of the
common land as the windmill was the last northern end. There had been
iron gates when a great City merchant lived in the Georgian house, which
had been gradually transformed to suit the requirements of the sisters.
The melancholy little peal of the bell hanging on a loose wire sounded
far away, and in the interval Evelyn noticed the large double door,
from which the old green paint was peeling. A step was heard within, and
the little shutter which closed the grated peephole in the panel of the
door was drawn back; the eyes and forehead band of a nun appeared for an
instant in the opening; and then with a rattle of keys the door was
hastily opened and the little porteress, with ruddy cheeks and a shy
smile, stood aside to let Evelyn pass in. She kissed the hand of
Monsignor as he turned to her with a kindly word of salutation. "The
Reverend Mother is expecting you," she said, her agitation being due to
the importance of the occasion.
Public-domain text, read in full here on John Shaqi.
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