Everlasting Pearl: One of China's Women — John Shaqi
Everlasting Pearl: One of China's WomenJohannsen, Anna Magdalena
History
Everlasting Pearl: One of China's Women
Johannsen, Anna Magdalena
Missions -- China; Women -- China -- Biography
[Illustration: Adorned as a bride. A proud day in the young girl's
life.]
It was then getting late, and the young bridegroom entered, accompanied
by his friends, who were carrying big red candles in front of him, and
sending off fire-crackers. They did not leave the young people till
after midnight, and not before having tried to get hold of as many of
their belongings as possible. These they endeavoured to hide, and a
good thing it was that the bride had got plenty of sweets, peanuts,
beans, etc., for all the stolen articles had to be redeemed the
following morning.
After a few short hours of rest, the young people had to get ready for
breakfast, and soon afterwards the second part of the wedding ceremony
began, the part which is called _Fen ta siao_, which, literally
translated, means "To distinguish between great and small." Bride and
bridegroom were arrayed once more in their wedding robes, and proceeded
to the guest-hall where all the relatives were assembled. Again the
two knelt together on the red quilt, bowing their heads three times to
the ground before Mr. and Mrs. Hsue, who bowed in return. Mr. Hsue threw
down the keys of the household before the young people. He had,
however, no thought of giving them any responsibility, and every
intention of getting the keys back into his own pockets and keeping
them there.
Then the uncles and aunts were led forward, to whom was paid the same
respect. The brothers, cousins, and other relatives came next, but
being of the same generation as the bride and bridegroom, they also
knelt down and "worshipped" them in return. Each relative put a piece
of money, wrapped in red paper, on a tray placed there for that
purpose, and, when filled, it was carried to the bride's room until a
more convenient time was found for the counting of the money.
The whole party, headed by the bridegroom and the bride, then proceeded
to the kitchen for the purpose of worshipping the kitchen god. The
bridegroom carried a rice measure with a lamp placed in it, the bride a
brush for cleaning the cooking pan. Many superstitious rites are
connected with the worship in the kitchen, the smallest detail has its
own meaning, but it would be too tedious to relate all.
The dinner came next, and this time the bride had to take the seat of
honour at the top table, but once seated there, she remained as silent
as the night before, and ate nothing. Again she went round to bow to
the guests at the different tables, who all stood up and solemnly drank
her health.
After dinner she was allowed to put off her bridal attire, and wear
some of the clothes sent her by her husband. She was also permitted to
throw off some of the reserve of the past days, and could talk more
freely to those around her.
Public-domain text, read in full here on John Shaqi.
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