It has been known almost since the beginnings of civilization that all solids can be made to emit light when heated to certain temperatures. Some substances were known to be peculiarly adapted to this purpose, such as lumps of lime, and for many years the calcium light or "lime-light" as it is popularly called, had been in use for special purposes, and was the most intense light known. This light is made by heating a block of lime to the highest practicable temperature by means of a blast of oxygen and coal gas; but such lights were too complicated and expensive for general purposes. It had been determined even as early as the beginning of the nineteenth century, however, that the high temperature necessary for producing this light was due in part at least to the fact that such a large amount of material had to be raised to incandescence. It was evident, therefore, that if a small amount of some such substance as lime and magnesia could be spread out so as to present a large surface in a small space, such as is represented by basket-work, sufficient heat for making it incandescent might be obtained from an ordinary gas-and-air blowpipe. Here then was the germ of the "mantle" idea; and such an apparatus, known as the Clamond mantle, which was made of threads of calcined magnesia, was shown at the Crystal Palace Exhibition, in London, in 1882. Curiously enough, this mantle and burner worked in an inverted position, the mantle being suspended bottom upwards below the burner through which the blast of gas was forced. The light given by this mantle was most brilliant--little short of the older calcium light, in fact--but the device itself was too complicated to be of service for ordinary lighting purposes. The principle was correct, but the construction of the mantle was defective. Meanwhile a German scientist, Dr. Auer von Welsbach, who had become famous in the scientific world for his researches on rare metals, was experimenting with certain oxides of different metals, and developing a method of handling them that finally resulted in the perfected incandescent burner in use at present. His process, which in theory at least was not entirely original with him, was to dip an open fabric of cotton into a solution of the nitrates of the metals to be used, drying it, and converting the nitrates into oxides by burning; the cotton fabric disappearing but leaving the skeleton of the oxide, which retained its original shape.