Dialect literature, Canadian; Fishing villages -- Fiction; Newfoundland and Labrador -- Fiction; Sea stories; Short stories
Hapless Harbor, of the Newfoundland French shore, gray, dispirited,
chilled to its ribs of rock—circumscribed by black sea and impenetrable
walls of mist. There was a raw wind swaggering out of the northeast upon
it: a mean, cold, wet wind—swaggering down the complaining sea through
the fog. It had the grounds in a frothy turmoil, the shore rocks
smothered in broken water, the spruce of the heads shivering, the world
of bleak hill and wooded valley all clammy to the touch; and—chiefest
triumph of its heartlessness—it had the little children of the place
driven into the kitchens to restore their blue noses and warm their
cracked hands. Hapless Harbor, then, in a nor’east blow, and a dirty
day—uncivil weather; an ugly sea, a high wind, fog as thick as cheese,
and, to top off with, a scowling glass. Still early spring—snow in the
gullies, dripping in rivulets to the harbor water; ice at sea, driving
with the variable, evil-spirited winds; perilous sailing and a wretched
voyage of it upon that coast. A mean season, a dirty day—a time to be in
harbor. A time most foul in feeling and intention, an hour to lie snug
in the lee of some great rock.
The punt of Salim Awad, double-reefed in unwilling deference to the
weather, had rounded Greedy Head soon after dawn, blown like a brown
leaf, Salim being bound in from Catch-as-Catch-Can with the favoring
wind. It was the third year of his wandering in quest of that ease of
the sorrows of love; and as he came into quiet water from the toss and
spray of the open, rather than a hymn in praise of the Almighty who had
delivered him from the grasping reach of the sea, from its cold fingers,
its green, dark, swaying grave—rather than this weakness—rather than
this Newfoundland habit of worship, he muttered, as Antar, that great
lover and warrior, had long ago cried from his soul: “_Under thy veil is
the rosebud of my life, and thine eyes are guarded with a multitude of
arrows; round thy tent is a lion-warrior, the sword’s edge, and the
spear’s point_”—which had nothing to do, indeed, with a nor’east gale
and the flying, biting, salty spray of a northern sea. But this Salim
had come in, having put out from Catch-as-Catch-Can when gray light
first broke upon the black, tumultuous world, being anxious to make
Hapless Harbor as soon as might be, as he had promised a child in the
fall of the year.
This Salim, poet, maker of the song that could not be uttered, tied up
at the stage-head of Sam Swuth, who knew the sail of that small craft,
and had lumbered down the hill to meet him.
“Pup of a day,” says Sam Swuth.
By this vulgarity Salim was appalled.
“Eh?” says Sam Swuth.
Salim’s pack, stowed amidships, was neatly and efficiently bound with
tarpaulin, the infinite mystery of which he had mastered; but his punt,
from stem to stern, swam deeply with water gathered on the way from
Catch-as-Catch-Can.
“Pup of a day,” says Sam Swuth.
Public-domain text, read in full here on John Shaqi.
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