Dialect literature, Canadian; Fishing villages -- Fiction; Newfoundland and Labrador -- Fiction; Sea stories; Short stories
And old Khalil Khayyat, simulating courage, went out, that the
reconciliation of Yusef Khouri with the amazing marriage might surely be
accomplished. And returning in dread and bewildered haste, he came again
to the pastry-shop of Nageeb Fiani, where young Salim Awad, the light of
his eyes, still lay limp over the round table in the little back room,
grieving that Haleema, Khouri’s daughter, of the tresses of night, the
star-eyed, his well-beloved, had of a sudden wed Jimmie Brady, the jolly
truckman. The smoke hung dead and foul in the room; the coffee was
turned cold in the cups, stagnant and greasy; the coal on the narghile
was grown gray as death: the magic of great despair had in a twinkling
worked the change of cheer to age and shabbiness and frigid gloom. But
the laughter and soft voices in the outer room were all unchanged, still
light, lifted indifferently above the rattle of dice and the aimless
strumming of a canoun; and beyond was the familiar evening hum and
clatter of New York’s Washington Street, children’s cries and the patter
of feet, drifting in at the open door; and from far off, as before, came
the low, receding roar of the Elevated train rounding the curve to South
Ferry.
Khayyat smiled in compassion: being old, used to the healing of years,
he smiled; and he laid a timid hand on the head of young Salim Awad.
“Salim, poet, the child of a poet,” he whispered, “grieve no more!”
“My heart is a gray coal, O Khalil!” sighed Salim Awad, who had lost at
love. “For a moment it glowed in the breath of love. It is turned cold
and gray; it lies forsaken in a vast night.”
“For a moment,” mused Khalil Khayyat, sighing, but yet smiling, “it
glowed in the breath of love. Ah, Salim,” said he, “there is yet the
memory of that ecstasy!”
“My heart is a brown leaf: it flutters down the wind of despair; it is
caught in the tempest of great woe.”
“It has known the sunlight and the tender breeze.”
Salim looked up; his face was wet and white; his black hair, fallen in
disarray over his forehead, was damp with the sweat of grief; his eyes,
soulful, glowing in deep shadows, he turned to some place high and
distant. “My heart,” he cried, passionately, clasping his hands, “is a
thing that for a moment lived, but is forever dead! It is in a grave of
night and heaviness, O Khalil, my friend!”
“It is like a seed sown,” said Khalil Khayyat.
“To fail of harvest!”
Public-domain text, read in full here on John Shaqi.
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