Dialect literature, Canadian; Fishing villages -- Fiction; Newfoundland and Labrador -- Fiction; Sea stories; Short stories
“Nay; to bloom in compassionate deeds. The flower of sorrow is the joy
of the world. In the broken heart is the hope of the hopeless; in the
agony of poets is their sure help. Hear me, O Salim Awad!” the old man
continued, rising, lifting his lean brown hand, his voice clear,
vibrant, possessing the quality of prophecy. “The broken heart is a seed
sown by the hand of the Beneficent and Wise. Into the soil of life He
casts it that there may be a garden in the world. With a free, glad hand
He sows, that the perfume and color of high compassion may glorify the
harvest of ambitious strife; and progress is the fruit of strife and
love the flower of compassion. Yea, O Salim, poet, the child of a poet,
taught of a poet, which am I, the broken heart is a seed sown gladly, to
flower in this beauty. Blessed,” Khalil Khayyat concluded, smiling, “oh,
blessed be the Breaker of Hearts!”
“Blessed,” asked Salim Awad, wondering, “be the Breaker of Hearts?”
“Yea, O Salim,” answered Khalil Khayyat, speaking out of age and ancient
pain; “even blessed be the Breaker of Hearts!”
Salim Awad turned again to the place that was high and distant—beyond
the gaudy, dirty ceiling of the little back room—where, it may be, the
form of Haleema, the star-eyed, of the slender, yielding shape of the
tamarisk, floated in a radiant cloud, compassionate and glorious.
“What is my love?” he whispered. “Is it a consuming fire? Nay,” he
answered, his voice rising, warm, tremulous; “rather is it a little
blaze, kindled brightly in the night, that it may comfort my beloved.
What is my love, O Haleema, daughter of Khouri, the star-eyed? Is it an
arrow, shot from my bow, that it may tear the heart of my beloved? Nay;
rather is it a shield against the arrows of sorrow—my shield, the
strength of my right arm: a refuge from the cruel shafts of life. What
are my arms? Are they bars of iron to imprison my beloved? Nay,” cried
Salim Awad, striking his breast; “they are but a resting-place. A
resting-place,” he repeated, throwing wide his arms, “to which she will
not come! Oh, Haleema!” he moaned, flinging himself upon the little
round table, “Haleema! Jewel of all riches! Star of the night! Flower of
the world! Haleema ... Haleema....”
“Poet!” Khalil Khayyat gasped, clutching the little round table, his
eyes flashing. “The child of a poet, taught of a poet, which am I!”
Public-domain text, read in full here on John Shaqi.
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