"Everyman," with other interludes, including eight miracle plays
Religion
"Everyman," with other interludes, including eight miracle plays
Bible plays, English; English drama -- To 1500; Moralities, English; Mysteries and miracle-plays, English
At York, whose plays Miss L. Toulmin Smith edited in 1887, we can turn
to Davies's two books[5] and the local records, to complete the Chester
description. Those who travel to York by rail to-day, and there
dismount, as most of us have often done, to walk through the city to the
cathedral, will be interested to find that the railway station now
stands where once was Pageant Green. Near it was formerly another kind
of station, where stood the houses hired to keep the pageants stored and
put away from one year's show to another. The word "pageant," (_pagina_,
or plank), we ought to recall, was used for the stage, or wheeled car of
two stories, before it was used for the show set forth upon it. Davies
helps us, as we perambulate York to-day, to mark where the old pageants
were performed in 1399, at twelve stations, which were fixed and stated
beforehand. The first station was at the gates of the Priory of the Holy
Trinity in Mickle Gate, and the pageants were moved on them in turn to
places at Skelder Gate end, North Street, Conyng Strete, Stane Gate and
the gates of the Minster, so to the end of Girdler Gate; while the last
of all was "upon the pavement." But the stations were subject to change,
and there was much competition among wealthy householders (one of whom
may have been the Robert Harpham mentioned in a 1417 list) to have the
pageant played before their windows. The highest bidder gained the
coveted right.
Before the actual day came, a town-crier was sent round the city to
proclaim the "banes" or banns.[6] Arms were forbidden: "We command that
no man go armed in this city with swords ne with carlill-axes, in
disturbance of the king's peace and the play, or hindering of the
procession of Corpus Christi, and that they leave their harness in their
inns, saving knights and squires of worship that ought to have swords
borne after them!" The plays began betimes. We read that at York the
players were to be ready "at the mid-hour betwixt the IVth and Vth of
the clock in the morning." Finally, for the players themselves, care was
taken to secure good ones for the several parts. Sometimes a player
doubled or trebled the characters in a particular play.
Public-domain text, read in full here on John Shaqi.
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